Gordon, Giles. “Obituary: Penelope Mortimer”. Guardian Weekly, p. 26.
26
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Bessie Head | The book finished, the process of publication unexpectedly spun out into a nightmare. Trouble began when BH
requested 94 free copies for her to give, as she had promised, to the people she interviewed. Reg Davis-Poynter |
Publishing | Bessie Head | Meanwhile Giles Gordon
well-meaningly but rashly raised with BH
the question of her tax situation in Botswana. The publishers came up with a complicated arrangement to keep costs down, whereby Bateleur Press
would be the... |
Textual Features | Penelope Mortimer | This takes the story of her life until her twenty-first birthday, treating herself (says critic Giles Gordon
) rather severely. Gordon, Giles. “Obituary: Penelope Mortimer”. Guardian Weekly, p. 26. 26 |
Textual Features | Helen Dunmore | About half of these nineteen very short stories (averaging less than ten pages apiece) are reprinted from magazines—Stand, the Irish Tatler, Writing Women, London Magazine—or anthologies. Short Days, Long Nights... |
Textual Features | Ann Quin | Set in an unnamed town, which is clearly Brighton, the novel is, as Giles Gordon
describes it, a Graham Greene
thriller as if reworked by a somewhat romantic Burroughs
. Gordon, Giles, and Ann Quin. “Introduction”. Berg, 1st Dalkey Archive edition, Dalkey Archive, p. vii - xiv. ix |
Textual Features | Bessie Head | Cadmore is a teacher with brilliant credentials, and a visual artist whose drawings give dignity and value to ordinary life in the remote village of Dilepe and its oppressed and victimized people. She is also... |
Textual Production | Bessie Head | In August 1980 BH
submitted to Giles Gordon
, who was once again her agent, six stories all linked to her historical research, though separate in their creation and in their subsequent fate. One of... |
Textual Production | Bessie Head | Giles Gordon
had suggested she write a village book of the genre of |
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