When this book reached paperback the next year,Alfred Hickling
wrote that PLa sublime story-teller, producing untidy, unpredictable narratives in which everyone lives ambivalently ever after.
Hickling, Alfred. “Paperbacks. Fiction. How it all began”. The Guardian, 19 May 2012, p. 20.
20
Literary responses
Nell Dunn
One critic of the Turkish baths production of 2005 wrote that the play showed its 1970s origins both in the emphasis on the class and therefore the education, wealth and expectations of the group of...
Literary responses
Bernice Rubens
Alfred Hickling
, reviewing for the Guardian, called this book BR
's most astringent and militant work to date, yet judged that overall it failed to find a balance between historical events and imaginative...
Literary responses
Louise Page
Alfred Hickling
wrote of this production: Though it's hardly great literature, it's never less than entertaining.
Hickling, Alfred. “Rogue Herries—review”. theguardian.com, 27 Mar. 2013.
Literary responses
Bryony Lavery
Alfred Hickling
's review was lukewarm about the adaptation. He maintained that Lavery had found her inspiration in the novel's subtitle, The Sacred and Profane Memories of Captain Charles Ryder, and that she had...
Timeline
No timeline events available.
Texts
Hickling, Alfred. “’You could be watching an exciting new musical while sitting on a bag of cement’”. The Guardian, pp. G16 - G17.
Hickling, Alfred. “Brideshead Revisited review—Waugh’s charming men hit the stage in style”. theguardian.com.
Hickling, Alfred, and Elena Seymenliyska. “Magical Contradictions”. Guardian Unlimited.