ES was a frequent contributor to Charlotte Yonge 's The Monthly Packet. She also published articles on the Anglican Church and female education, notably including The reign of pedantry in girls' schools in The Nineteenth Century in February 1888.

Augusta Ada Byron, Countess of Lovelace , published A Sketch of the Analytical Engine, a translation from Luigi Menabrea 's work on Charles Babbage 's Analytical Engine. Her annotations tripled the length of the original.

FB 's work first appeared in print after three of her poems were accepted by the Irish Penny Journal.

This year saw the publication of this lecture (as well as a second edition of it), and of MG 's pamphlet Education of Women, which had originally taken the form of a letter to the Editor of the Times.

CB 's stay in Brussels (as well as contributing eventually to Villette) produced a number of French exercises or devoirs, plus her subsequent letters to Constantin Heger . Four of the letters (of which Elizabeth Gaskell had seen excerpts) were published in The Times in 1913. Heger instructed his pupils to compose essays in the style of the authors they had been studying; he left the choice of subject-matter to them. He wrote comments on most of these exercises, but there are none on the extant one. The fable, entitled L'Ingratitude, survives together with the four letters, and first saw print in the London Review of Books on 8 March 2012, having been presented by a member of the Heger family to a collector in the form of a small grey album. This contains the manuscript devoir, the four letters, and some photographs. Four of CB 's letters to Heger, including three which Mme Heger reconstructed after her husband had ripped up and discarded them (apparently in case she needed them to serve as evidence should any problem with Brontë arise) are now held at the British Library , preserved between panes of glass.

Between 1839 and May 1846, Isaac Leeser 's The Occident, and American Jewish Advocate, published from Philadelphia, printed twenty-seven poems by GA , as well as some prose extracts.

EM 's career as a writer began in 1833 when she helped her eldest brother prepare his reports as a tithe commissioner for the eastern counties. She soon began contributing regularly to periodicals including Eliza Cook's Journal, Hood's Magazine, People's Journal, Tait's Magazine, Chambers's Journal, Country Words.

MT published more than twenty articles, primarily addressing issues surrounding women, work, and economic independence, in Emily Faithfull 's Victoria Magazine.

The Cornhill Magazine published A Tuscan Village—A Tuscan Sanctuary, IB 's colourful description of her time in Pelago and Vallombrosa near Florence.

Having already published poems in periodicals, HET issued a collection, Lines and Leaves, under her married name of Mrs. Acton Tindal.

CFA contributed pieces to the collection Lyra Anglicana: Hymns and Sacred Songs (which, edited by Robert Hall Baynes and published in 1862, reached sales of thirty thousand within three years and sixty-nine thousand by 1879). She wrote for the Society for Promoting Christian Knowledge , as well as several other religious journals and hymnals.

After her emigration to Oakland in CaliforniaCH published a story in the Overland Monthly, and planned a whole series of stories both for this publication and for eventual collection in a book. She intended to use her English observations of Amercan life, with some lively ventriloquizing of American expressions, which as used in lively, satirical letters to her eldest son include very mean & real ugly, and real mad (meaning angry). She had not yet been paid for her story in print, and said she was eager to know how much she would get. I don't write for nothing, she assured her son, and declared her intention of publishing as Mrs. C. Austen Hubback—but some or all of this is a comic assumption of American brashness.

CM also published in periodicals. Her Neela, A Tale of the Jews in England appeared in 1842 in Friendship's Offering, and from there it was reprinted as a serial, beginning in January 1844, in Isaac Leeser 's The Occident, and American Jewish Advocate (published at Philadelphia). In April 1846 Leeser printed—as well as her sister Marion's The Return of David, Grace Aguilar 's The Rocks of Elim, and a long and laudatory review of Aguilar's The Women of Israel—CM 's poem The Jewish Martyrs, which relates in blank verse a story carried by the Jewish Chronicle of 12 December 1845. In 1846-7 Leeser serialized CM 's modern tale of a woman's internal religious conflict entitled The Two Pictures, A Sketch of Domestic Life.

Constrained by her sheltered homelife, the young Julia Ward (later Howe) found freedom in the world of books and writing. At age eleven, Julia shocked her school teacher when she submitted a book of poems in place of the assigned prose work. Perhaps expecting praise for her originality, Julia was instead admonished for being overly ambitious. Not to be daunted, she continued to write and before age fifteen had published several poems in the New YorkAmerican.

GE , then Mary Ann Evans, became a published author when a religious poem she had written the previous summer appeared in the Christian Observer signed M.A.E.

A year and a half before her death MES 's two short essays on natural science appeared in the Penny Magazine: An Account of a Cuckoo and The Golden Crested Wren.