Sarah Scott
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, who published during the second half of the eighteenth century, wrote for money and never signed her name to her work. She is known as a novelist; but as a historian and translator she also deserves the appellation of woman of letters, and as one who chose to pursue an alternative, carefully-thought-out, woman-centred lifestyle she deserves the appellation of feminist. Her fictional writing does not repeat itself in form but takes on new technical issues with each title. Her concerns are always those of proto-feminism: the problems of middle-class women disadvantaged by poverty, lack of beauty, and absence of outlets for their talents, and the plight of lower-class women and the disabled.