Fane, Violet. The Edwin and Angelina Papers. World Office.
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Connections Sort ascending | Author name | Excerpt |
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Textual Features | Robert Southey | Against the trend of the times, RS
aimed for historical interest rather than literary canonicity, compiling in his Specimens of the Later English Poets a collection of representative voices rather than a garland: The taste... |
Textual Features | Marghanita Laski | Each apology begins with a cliché like To tell you the truth—, or Don't mind me, dear—. One point of the joke (as in Swift
's Polite Conversation, 1738) is the flatness and inadequacy... |
Textual Features | Jane Cave | One interesting feature is the inclusion of nine poems by other authors: the canonical Prior
, Swift
, and Pope
, the lesser-known men John Scott
, William Broome
, and Nathaniel Cotton
, and... |
Textual Features | Constantia Grierson | Here she extols Delany
's virtues in the voice of the goddess who hates and resents them (and who is presumed to be behind the recent attacks on Delany stemming from his friendship with Swift)... |
Textual Features | Mary Barber | Her poem to Lord Carteret concerns a work probably by Swift
. The publication addressed to Lady Carteret (actually consisting of one poem to her and one to her daughter) shows a strong sense of... |
Textual Features | L. E. L. | This novel provides a satirical portrait of high society in early eighteenth-century England. It centres on Henrietta, Countess of Marchmont, an upper-class orphan enduring a loveless marriage and imperilled by her first visit to... |
Textual Features | Violet Fane | The unnamed male narrator describes himself as a foreigner, but has lived in London long enough to be mistaken for an Englishman. Fane, Violet. The Edwin and Angelina Papers. World Office. 4 |
Textual Features | Isabella Lickbarrow | Her first poem, an Introductory Address to the Muse, uses the language of love and courtship: In secret shades alone I woo'd thee then / By stealth, nor to the world durst tell my love... |
Textual Features | Jane Collier | The Art of Tormenting is often referred to as a novel, but its genre is really that of the spoof instruction manual: the genre of Pope
's The Art of Sinking in Poetry and Swift |
Textual Features | Maria Riddell | MR
's own twenty poems include prefatory verses as editor, written for the occasion. She prints work by the late Henrietta O'Neill
(the well-known Ode to the Poppy), Georgiana Duchess of Devonshire
(St... |
Textual Features | Catharine Macaulay | Her topics here, all relevant to the escalating American demands for independence, are the declining economy, rising prices, and an oppressive burden of taxes. Copeland, Edward. Women Writing about Money: Women’s Fiction in England, 1790-1820. Cambridge University Press. 19 |
Textual Features | Elizabeth Boyd | EB
offers original, discriminating praise for women's writing: Susanna Centlivre
(her inspiration, she says), Eliza Haywood
(though she regrets her exposure of women's faults), Aphra Behn
, and Delarivier Manley
, whom she calls the... |
Textual Features | Eliza Haywood | EH
's fictional Swift
is widely unlike the original, especially in prose style. |
Textual Features | Constance Naden | The Elixir of Life opens with the waking vision of a man and woman in their summer prime, he looking like Apollo, she looking like an angel with just a touch of the siren or... |
Textual Features | Mary Savage | It is a poem highly characteristic of her manner: a moral tale featuring a personified quality, humorous, ironic, and written in octosyllabic couplets reminiscent of Swift
or Prior
. Prudence and Oeconomy are the daughters... |
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