Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Robinson | Her postscript to the volume invokes Wordsworth
as model (as, indeed, her title invokes the joint work of Wordsworth and Coleridge
). Her titles (like The Shepherd's Dog and The Poor, Singing Dame) copy... |
Intertextuality and Influence | A. S. Byatt | Charlotte Brontë
's poem We wove a web in childhood appears as epigraph, along with a sentence from Coleridge
about the serpent as emblem of the imagination. Byatt, A. S. The Game. Chatto and Windus, 1967. 4 |
Intertextuality and Influence | Margaret Kennedy | Of MK
's sixteen novels, Together and Apart is the one most firmly set in the novelist's own time period. The female protagonist, Betsy Canning, like Agatha of The Ladies of Lyndon, feels her... |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Alice Meynell | The forty poems date from the last five years before publication. Their styles are derivative. Song of the Day to the Night is reminiscent of Shelley
, Soeur Monique of Wordsworth
, An Unmarked Festival... |
Intertextuality and Influence | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
Intertextuality and Influence | A. S. Byatt | She thought of the title and the central idea for the novel in the British Library, watching that great Coleridge
scholar, Kathleen Coburn
, and thinking of the poet possessing his critic, and of the... |
Intertextuality and Influence | Anna Jane Vardill | AJV
is remarkably successful in catching Coleridge
's diction and manner, as several commentators noted. Lord Leoline sat in the chair of pride, / The white-armed stranger by his side. She also captures the sinister... |
Intertextuality and Influence | Lydia Howard Sigourney | Unlike a volume by the same title which she published in 1827, this one included new poetry as well as former contributions to magazines. Her preface mentions the influence exercised over her by Coleridge
... |
Intertextuality and Influence | F. Mabel Robinson | The title-page bears a quotation from Samuel Taylor Coleridge
's Love about a fiend with the appearance of an angel beautiful and bright. qtd. in Robinson, F. Mabel. The Plan of Campaign. Third edition, Methuen, 1890. title-page |
Intertextuality and Influence | Dorothy Wordsworth | DW
's Alfoxden journal, written in close association with both William Wordsworth
and Coleridge
, filtered into the poetry of each. Her phrases surface in The Ancient Mariner (whose restless gossamers come from her restless... |
Intertextuality and Influence | Emma Robinson | ER
claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she... |
Intertextuality and Influence | James Tiptree Jr. | This story, whose title evokes the magical otherworldly ambience of Samuel Taylor Coleridge
's Kubla Khan, turns on the paradoxical meaning of the concept of home. A human boy is brought up until the... |
Intertextuality and Influence | James Tiptree Jr. | With epigraphs from Conrad Aiken
, Coleridge
, and W. H. Davies
, the author was clearly casting around for a poetic style. She veers between over-ripe romantic sentiment, plaintive expression of pain and loneliness... |
Intertextuality and Influence | Mary Russell Mitford | MRM
was working on this poem by July 1810. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols. 1: 91 |
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