Marie-Madeleine de Lafayette

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Standard Name: Lafayette, Marie-Madeleine de
Birth Name: Marie-Madeleine Pioche de la Vergne
Married Name: Marie-Madeleine Lafayette
MML , writing in France in the late seventeenth century, originated there the new form of the novel: shorter, less diffuse, more vigorous in its emotional effect than the long, many-storied, courtly romances. She was chiefly admired in England for La princesse de Clèves, 1678.
Black and white, head-and-shoulders image of a lost painting of Marie-Madeleine de Lafayette by Louis Ferdinand Elle l'Aîné. She sits with her head resting on one hand, wearing a gown with a V neck and puffed sleeves, without jewellery. Her dark hair is pulled back into a pearl-wrapped bun, with a ringlet lying on her shoulder.

Connections

Connections Author name Excerpt
Textual Production Lady Eleanor Butler
Sarah Ponsonby bequeathed the journals to Caroline Hamilton , and Harriet Pigott therefore supposed that they were written by Ponsonby .
Butler, Lady Eleanor et al. “Foreword and Editorial Materials”. The Hamwood Papers of the Ladies of Llangollen and Caroline Hamilton, edited by Eva Mary Bell, Macmillan, p. vii - viii; various pages.
vii
They have been published in several selections: by Mrs G. H. [Eva Mary] Bell
Intertextuality and Influence Amelia Bristow
The Maniac deals with the effects of the Irish Rebellion. The narrator, Albert, has gone mad after returning home to find his house sacked and wife and children murdered. His sister, Emma, also dies and...

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