Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan.
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Connections Sort descending | Author name | Excerpt |
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Literary responses | Charlotte Smith | Reviewers were more approving than previously of CS
's politics, but began to complain of her accusatory fictionalising of the financial details of her own situation. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 226 |
Literary responses | Anne Burke | The Critical Review, though it found the story very confused, nevertheless thought this novel had considerable merit, and found the style easy and correct. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 666 |
Literary responses | Anna Maria Mackenzie | The Critical felt that this novel's power of raising feelings is but feeble, though at least such feelings would be on the side of virtue. William Enfield
in the Monthly was much more positive... |
Textual Features | Anna Letitia Barbauld | ALB
's first hymn presents the world, as God creates and adorns it and pronounces it good, as a female body. Duquette, Natasha Aleksiuk. Veiled Intent: Dissenting Women’s Approach to Biblical Interpretation. Pickwick Publications. 49-50 |
Textual Features | Anna Letitia Barbauld | This issue was a continuing interest of Barbauld's. She had contributed five hymns, anonymously, to William Enfield
's Hymns for Public Worship (published at Warrington in 1772), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 107n30 |
Textual Production | Anna Letitia Barbauld | ALB
collected and edited an anthology entitled The Female Speaker: she acknowledged the example of the popular The Speaker, edited by her friend William Enfield
(which dated from 1774 and had quoted her... |
Textual Production | Anna Letitia Barbauld | In summer 1789 she wrote a poem of complex feeling, An Epistle to Dr Enfield, which she said he was to throw into the Mersey on a farewell visit to Warrington. It too... |
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