Elizabeth Griffith

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Standard Name: Griffith, Elizabeth
Birth Name: Elizabeth Griffith
Married Name: Elizabeth Griffith
Pseudonym: A Young Gentlewoman
Pseudonym: Frances
Indexed Name: Mrs Griffith
Pseudonym: E. G.
EG is now best-known as an eighteenth-century novelist and dramatist. But she was best-known in her own lifetime as a writer of fictional letters; and her output as a professional author included translation, short stories, periodical essays, and critical and editorial work.

Connections

Connections Sort ascending Author name Excerpt
Theme or Topic Treated in Text Mary Seymour Montague
The third epistle performs the conventional act of praising historical women: the monarchs Elizabeth I and Catherine the Great of Russia for their exercise of power, the French scholar Anne Dacier , and eleven British...
Theme or Topic Treated in Text Anna Seward
AS 's correspondence often deals with literary matters as well as with social matters and personalities. She writes with astonishing freedom to Hester Piozzi about the latter's travel book Observations and Reflections: not only...
Textual Production Barbarina Brand, Baroness Dacre
The year after Gonzalvo of Cordova, Barbarina Wilmot (later Lady Dacre) wrote her next historical tragedy, Pedarias, a Tragic Drama, basing her work this time on Les Incas by Jean-François Marmontel
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
(which had...
Textual Production Cassandra, Lady Hawke
On the occasion of her meeting CLH , Burney mentioned having seen her name in the newspapers in connection with a play called Variety, which was actually by Richard Griffith (husband of the playwright-novelist...
Textual Production Rosina Bulwer Lytton, Baroness Lytton
The next work by Rosina Bulwer Lytton (later Baroness Lytton) was a novel or fictional biography: The School for Husbands; or, Molière 's Life and Times.
The title is multiply allusive. Molière's comedy L'école...
Textual Production Elizabeth Meeke
EM published, with her name, "There is a Secret, Find It Out!", a novel which quotes Griffith (probably Elizabeth Griffith ) on its title-page and borrows a character name from her stepsister Frances 's Evelina.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 281
Textual Production Sir Walter Scott
Fifty years before that, lengths and prices had been more various. Three-volume novels were already standard, but whereas The History of Lady Barton by Elizabeth Griffith and The Old Maid by Ann Skinn , both...
Reception Aphra Behn
It was frequently adapted and recycled. A French translation by Pierre Antoine de La Place , 1745, sentimentalises the story, provides a happy ending, and adds the Histoire d'Imoinda. As a prose narrative Oroonoko...
Publishing Marie-Madeleine de Lafayette
This book, set in the period which in England was Elizabethan , became notorious before publication through private salon readings. When published in Paris by Barbin , with the author's name withheld, it was immediately...
Publishing Charlotte Brooke
Her father had cherished a never-executed project for a history of ancient Irish literature.
Ashley, Leonard R. N. et al. “Introduction”. Reliques of Irish Poetry, Scholars’ Facsimiles and Reprints, p. v - xv.
vi
She had issued Proposals for this work the year before publication. The Houghton Library copy of the Proposals incorporates a...
Occupation John Donne
During the later seventeenth and the eighteenth centuries Donne's writings were largely forgotten or disapproved of. In June 1741 the London Magazine printed a regularised (to modern eyes butchered) version of Goe, and catche a...
Occupation David Garrick
This began his career as theatre manager. One of a manager's duties might be considered to be the putting on of new plays, to ensure the health of the theatre of the future, but familiar...
Literary responses Frances Brooke
The Critical Review and Gentleman's Magazine were respectful; the Monthly blamed FB for indelicacy in her heroine and for unfairness to Garrick. It quoted testimonials about his care for their work from other women writers,...
Literary responses Dorothea Celesia
A prologue by William Whitehead mentioned DC 's right to inherit her father's theatrical talent, in spite of her sex: No Salick law here bars the female's claim. It concluded with the statement that critics...
Intertextuality and Influence Catherine Hutton
Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke 's translation from Marie-Jeanne Riccoboni ).
Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown.
3: 95

Timeline

1771: In a year when Sir Joshua Reynolds painted,...

Women writers item

1771

In a year when Sir Joshua Reynolds painted, as Girl Reading, his niece Theophila Palmer perusing Richardson 's Clarissa, five novels by women advertised their Clarissa kinship.

April 1774: The Monthly Review, in a notice on Hannah...

Women writers item

April 1774

The Monthly Review, in a notice on Hannah More 's The Inflexible Captive, quoted some lines which transform the Muses from ancient Greece into the living female poets of Britain.

1777: Richard Samuel engraved his Nine Living Muses...

Women writers item

1777

Richard Samuel engraved his Nine Living Muses of Great Britain (or Portraits in the Character of the Muses in the Temple of Apollo) for Johnson's Ladies New and Polite Pocket Memorandum for 1778...

1780: James Harrison (hitherto chiefly known as...

Writing climate item

1780

James Harrison (hitherto chiefly known as a music publisher) began to issue the handsomely-produced Novelists' Magazine, a weekly serial reprinting of canonical novels.

Texts

Griffith, Elizabeth, editor. A Collection of Novels. Printed for G. Kearsly, 1777.
Desenfans, Noel Joseph. A Letter from Monsieur Desenfans to Mrs. Montagu. Translator Griffith, Elizabeth, T. Cadell, 1777.
Griffith, Richard, and Elizabeth Griffith. A Series of Genuine Letters between Henry and Frances. W. Johnston, 1757.
Griffith, Elizabeth. A Wife in the Right. Printed for the author and sold by E. and C. Dilly, 1772.
Griffith, Elizabeth. Amana. W. Johnston, 1764.
Griffith, Elizabeth. Essays Addressed to Young Married Women. T. Cadell and J. Robson, 1782.
Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, 1997, p. vii - xviii.
Marthe-Marguerite, marquise de Caylus,. Memoirs, Anecdotes and Characters of the Court of Lewis XIV. Translator Griffith, Elizabeth, J. Dodsley and J. Murray, 1770.
Griffith, Elizabeth, and Oliver Goldsmith. Novellettes. Fielding and Walker, 1780.
Freeman, Arthur, and Elizabeth Griffith. “Preface”. The Morality of Shakespeare’s Drama Illustrated, Frank Cass, 1971.
Griffith, Elizabeth et al. “The Delicate Distress”. Two Novels. In Letters, T. Becket and P. A. De Hondt, 1769, p. Volumes 1 and 2.
Griffith, Elizabeth. The Double Mistake. J. Almon, T. Lowndes, S. Bladon, and J. Williams, 1766.
Griffith, Elizabeth. The History of Lady Barton. T. Davies and T. Cadell, 1771.
Douxménil,. The Memoirs of Ninon de l’Enclos. Translator Griffith, Elizabeth, R. and J. Dodsley, 1761.
Griffith, Elizabeth. The Morality of Shakespeare’s Drama Illustrated. T. Cadell, 1775.
Griffith, Elizabeth. The Platonic Wife. W. Johnston, 1765.
Griffith, Elizabeth. The School for Rakes. T. Becket and P. A. De Hondt, 1769.
Dubois-Fontenelle, Jean-Gaspard. The Shipwreck and Adventures of Monsieur Viaud. Translator Griffith, Elizabeth, T. Davies, 1771.
Griffith, Elizabeth. The Story of Lady Juliana Harley. T. Cadell, 1776.
Griffith, Elizabeth. The Times. Fielding and Walker, J. Dodsley, T. Becket, and T. Davies, 1780.
Griffith, Elizabeth. Theodorick, King of Denmark. James Esdall, 1752.