Smith, Elizabeth. Fragments, in Prose and Verse. Editor Bowdler, Henrietta Maria, Richard Cruttwell.
119-125, 128
Connections Sort ascending | Author name | Excerpt |
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Theme or Topic Treated in Text | Anna Seward | Though AS
disliked Samuel Johnson, many of her literary opinions were conservative. She still loved Ossian
in 1796, when the texts were known to be forgeries. On 24 August 1807 (despite her admiration for Robert Southey |
Textual Production | Elizabeth Smith | One month before writing this poem Elizabeth Smith
met Mary Hunt
, with whom she was soon maintaining a scholarly correspondence. In the earliest letter which Bowdler prints (written on 7 July 1792), Smith touches... |
Textual Production | Elizabeth Smith | Elizabeth Smith's surviving letters are all written to female friends. The earliest ones are precociously concerned with exercising her learning: not precisely showing off but defining her own personality through her passion for Ossian
and... |
Textual Production | Elizabeth Smith | Among undated poems Bowdler prints another imitation of Ossian
and a translation from the German of Friedrich von Matthisson
. Smith, Elizabeth. Fragments, in Prose and Verse. Editor Bowdler, Henrietta Maria, Richard Cruttwell. 119-125, 128 |
Textual Production | Elizabeth Helme | EH
's next novel, the St Clair of the Isles; or, The Outlaws of Barra. A Scottish Tradition, published anonymously but claimed on later title-pages, reveals considerable knowledge of Ossian
and of medieval customs. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Sarah Murray | The title-page of this very rare book goes on: To which is added, a Description of part of the Main Land of Scotland, and of the Isles of Mull, Ulva, Staffa, I-Columbkill... |
Textual Features | Elizabeth, Margravine of Anspach | The work has a frontispiece showing the castle of Dierenstein, built on a rocky crag. Dedicating it to the Austrian eagle, she thanks it for sheltering a dove [herself] flying from birds of prey... |
Textual Features | Charlotte Brooke | |
Textual Features | Charlotte Brooke | Her preface to the whole volume expresses regret, probably purely conventional, that her comparatively feeble hand cannot wield the pen of learning and antiquity. Brooke, Charlotte. Reliques of Irish Poetry. George Bonham. iii |
Textual Features | Charlotte Dacre | Her titles provide a brief guide to romantic sensibility: the macabre (Death and the Lady, The Skeleton Priest, and The Dying Lover, written for a friend whose amiable young man Dacre, Charlotte. Hours of Solitude. Printed by D. N. Shury, for Hughes and Ridgeway. 123 |
Textual Features | Tabitha Tenney | Choice of women writers is fairly generous, with excerpts from Hester Mulso Chapone
, John Aikin
and Anna Letitia Barbauld
(Evenings at Home), Susanna Haswell Rowson
, Elizabeth Carter
, Hester Thrale
,... |
Literary responses | Anne Grant | Letters from the Mountains was not noticed in the Edinburgh Review, an omission which Grant attributed to gender prejudice. Perkins, Pamela. “Anne Grant and the Professionalization of Privacy”. Authorship, Commerce and the Public: Scenes of Writing, 1750-1850, edited by Emma Clery et al., Palgrave Macmillan, pp. 29-43. 32 |
Intertextuality and Influence | Anne Bannerman | |
Intertextuality and Influence | Elizabeth Smith | That is, she took Ossian
as a model for a lament for her own chosen ancient hero. The din of war is drowned by one more great and more terrific sound; / A sound high... |
Intertextuality and Influence | Anne Francis |
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