OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Sarah Siddons
Standard Name: Siddons, Sarah
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Wealth and Poverty | Ann Hatton | The suicide attempt provided an occasion for anonymous friends to solicit the public on her behalf for money, also in terms calculated to annoy her relations. After this Sarah Siddons
and John Philip Kemble
reputedly... |
Wealth and Poverty | Ann Hatton | Still, even during her husband's lifetime AH
was still dependent on her family. Sarah Siddons
paid her an annuity of twenty or thirty pounds (continued under her will after she died), and brother John Philip Kemble |
Theme or Topic Treated in Text | Anna Margaretta Larpent | Criticism has an even freer rein in the later than in the earlier diaries. In 1790 AML
found Mariana Starke
's unpublished The British Orphans indelicate and Starke
's The Widow of Malabar showy but... |
Theme or Topic Treated in Text | Christopher St John | The First Actress draws an implicit parallel between the admission of women to the vote and their admission to stage acting at the Restoration. Peggy Hughes
, presented as first woman in the London professional... |
Theme or Topic Treated in Text | Amabel Williams-Ellis | Her exemplars represent the arts, science, politics, religion, and service to humanity. Two of the nine are female— Sarah Siddons
and Florence Nightingale
. |
Textual Production | Naomi Royde-Smith | Another of her plays, Mrs. Siddons, 1931, in four acts, was a first step towards her biography of the famous actress. |
Textual Production | Charlotte Brooke | Some years before her death CB
wrote her tragedy Belisarius on a story popularised by Marmontel
in his Bélisaire, 1767 (which had first reached English in the same year as its French publication). Charles Kemble |
Textual Production | Ann Hatton | AH
sent off family reminiscences designed for insertion in Thomas Campbell
's life of her sister Sarah Siddons
(a work which was published in 1834). Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 7: 175 |
Textual Production | Ann Hatton | AH
was apparently trying to raise money to print a work in verse called The Raconteur (which remained unpublished), and also to place her Sarah Siddons
reminiscences. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 7: 175 |
Textual Production | Charlotte Smith | It was small but handsome. Thomas Stothard
did two of the illustrations. His design for sonnet 12 (Written on the Sea Shore.—October 1784—the month in which she crossed the Channel with her children... |
Textual Production | Frances Burney | FB
was probably working on two comedies, The Woman-Hater and A Busy Day, and planning her casts to include Sarah Siddons
and John Philip Kemble
. Burney, Frances. The Complete Plays of Frances Burney. Editor Sabor, Peter, William Pickering. 1: 192-3, 289-90 |
Textual Production | Hannah Cowley | She was said to have begun it on impulse when her husband laughed at her claim that she could produce something better than another play which they had just seen and disliked. She finished it... |
Textual Production | Ann Hatton | The lecture regularly given by Ann Curtis (later AH
) at James Graham
's Temple of HymenOn the present State and Influence of Women, on Society, in England, in France, in Spain... |
Textual Production | Naomi Royde-Smith | NRS
produced another biography, The Private Life of Mrs. Siddons
: A Psychological Investigation, which followed two years after her play on the same subject. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 1631 (4 May 1933): 309 |
Textual Features | Naomi Royde-Smith | NRS
opens her story with Jane Fairfax as a little orphan growing up in the family of Colonel and Mrs Campbell, whose naughty daughter Euphrasia is a likable foil to her throughout. She ends it... |
Timeline
By August 1775: Sarah Siddons first performed the role of...
Women writers item
By August 1775
Sarah Siddons
first performed the role of Hamlet at Worcester: she went on to repeat the part at Manchester, Bristol, and probably Liverpool even before she finally cracked the London stage in 1782.
Woo, Catherine. “Sarah Siddons’s Performances as Hamlet: Breaching the Breeches Part”. European Romantic Review, Vol.
18
, No. 5, pp. 573-95. 574 and n10
2 February 1785: Sarah Siddons first played Lady Macbeth (a...
Building item
2 February 1785
Sarah Siddons
first played Lady Macbeth (a part with which she was to become popularly identified) at Drury Lane
.
January 1793: Hester Piozzi reported the indignant melancholy...
Building item
January 1793
Hester Piozzi
reported the indignant melancholy of the actress Sarah Siddons
, who had been infected with syphilis by her husband.
2 September 1793: Henrietta O'Neill, Irish writer and patron,...
Women writers item
2 September 1793
Henrietta O'Neill
, Irish writer and patron, died. She had opened a private theatre at her seat, Shane's Castle in County Antrim, and also supported the theatre in Belfast.
29 December 1794: The Morning Chronicle (a paper with Opposition...
Writing climate item
29 December 1794
The Morning Chronicle (a paper with Opposition views) printed a sonnet, Mrs Siddons, which was attributed to Coleridge
, but was actually written by Charles Lamb
.
26 January 1797: Elizabeth (Younge) Pope, who had been acting...
Building item
26 January 1797
Elizabeth (Younge) Pope
, who had been acting since 1768 and was felt to be second only to Sarah Siddons
, gave her final performance at Drury Lane
; she died nearly six weeks later.
24 May 1799: Pizarro by Richard Brinsley Sheridan opened...
Writing climate item
24 May 1799
Pizarro by Richard Brinsley Sheridan
opened at Drury Lane
. An adaptation of Kotzebue
's melodrama about Peru, Pizarro voiced the anti-French feelings (fore-runners of anti-Napoleonic feelings) disturbing the English people at this time.
29 June 1812: Sarah Siddons, the famous actress, now aged...
Building item
29 June 1812
Sarah Siddons
, the famous actress, now aged fifty-six, played her last night (as Lady Macbeth) at the Covent Garden Theatre
.
6 December 1830: Lucia Vestris became the first long-term...
Building item
6 December 1830
Lucia Vestris
became the first long-term female theatre manager of the century, when she reopened the Olympic Theatre
.
8 June 1831: Sarah Siddons, great tragic actress, died...
Building item
8 June 1831
Sarah Siddons
, great tragic actress, died in London.
15 June 1831: 5,000 mourners attended the funeral of Sarah...
Building item
15 June 1831
5,000 mourners attended the funeral of Sarah Siddons
, England's most famous and admired of tragic actresses.
1866: The Royal Society of Arts established a scheme...
National or international item
1866
The Royal Society of Arts established a scheme (believed to be the first in the world) for setting up commemorative plaques on buildings associated with famous people.
Quinn, Ben. “Plaque blues. Cuts hit heritage scheme”. Guardian Weekly, p. 16.
1887: Nina Kennard published another biography...
Women writers item
1887
Nina Kennard
published another biography of a famous actress, this time Mrs. Siddons, for W. H. Allen
's Eminent Women Series.
October 1972: A gala performance was held at the Haymarket...
Building item
October 1972
A gala performance was held at the Haymarket Theatre
, featuring all the leading lights of the British stage, to celebrate Dame Sybil Thorndike
's ninetieth birthday.
1980: The Women's Playhouse Trust was founded to...
Women writers item
1980
The Women's Playhouse Trust
was founded to improve opportunities in the theatre for women writers, directors, designers, administrators, technicians and actresses, building on feminist fringe activity but within the mainstream.
Page, Louise. Beauty and the Beast. Methuen in association with the Women’s Playhouse Trust.
between 22 and 23
Texts
No bibliographical results available.