“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
239
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Louisa May Alcott | LMA
's Johann Wolfgang von GoetheFaustian novel A Modern Mephistopheles was published in 1877. Its title had originally belonged to her sensation novel, A Long and Fatal Love Chase, which was posthumously published in 1995. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 239 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Sarah Austin | One of SA
's most important translations, Characteristics of Goethe (from several German authors), appeared in three volumes. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 291 (1833): 322-23 Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Friends, Associates | Joanna Baillie | On 11 May 1812 Henry Crabb Robinson
recorded in his diary meeting JB
and other women writers on a visit to Miss Benjers (Elizabeth Ogilvy Benger
). In his account of this pleasant evening... |
Intertextuality and Influence | Anne Bannerman | Her model for the sonnet, as well as for the use of male erotic voices from Petrarch
and Goethe
, was Charlotte Smith
, though AB
's tone is more unrestrained and impassioned than Smith's. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 135-6 |
Intertextuality and Influence | Anne Bannerman | The contents included odes, sonnets (including one sequence from Petrarch
and another based on Goethe
's Werther, in which she speaks as the male lover of a woman, with notes relating her poems to... |
Intertextuality and Influence | Sybille Bedford | The third rejected novel was the story of a young man working at a tedious business job in London who loves art and travel and the good life, who falls in with a powerful and... |
Friends, Associates | Matilda Betham-Edwards | MBE
set a great deal of store by meeting men distinguished as authors or in other fields, as a spur to literary achievement of her own. She was given to boasting of her acquaintance with... |
Intertextuality and Influence | Matilda Betham-Edwards | The poems are printed chronologically (by the author's desire rather than the editor's). MBE
's introduction says nothing about her subject's parentage or his life-history, but canvasses the issues involved in selecting from his poems... |
Intertextuality and Influence | Mary Elizabeth Braddon | Robert Lee Wolff
argues that this is one of MEB
's very best Wilkie Collins
-style investigations. Wolff, Robert Lee. Sensational Victorian. Garland. 243 |
Intertextuality and Influence | Mary Elizabeth Braddon | Set on the coast of Devon fifty years earlier, it traces the fates of two strong characters: Methodist preacher and shopkeeper Joshua Haggard and his daughter Naomi. In the opening scene, Joshua rescues Oswald Pentreath... |
Textual Production | Mary Elizabeth Braddon | |
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | Anita Brookner | It carries an epigraph from Goethe
's Sorrows of Young Werther about the advantages and disadvantages of middle-class society and its codes of conduct. The number of central characters here is higher than in AB |
Textual Production | Anne Burke | AB
's first novel, the two-volume, anonymous, epistolary Eleanora: From the Sorrows of Werter. A Tale, was part of the overwhelming response to Goethe
's The Sorrows of Young Werther. Goethe's novel, published... |
Occupation | Thomas Carlyle | In 1814, TC
left the University of Edinburgh
and started teaching, taking up a position at Annan Academy
. He returned to Edinburgh in 1819 to pursue his literary aspirations. While there, he also worked... |