Birch, Sarah. Christine Brooke-Rose and Contemporary Fiction. Clarendon Press.
107n26
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Christine Brooke-Rose | CBR
published Amalgamemnon, a novel written in the future and conditional tenses, the subjunctive or imperative moods, Birch, Sarah. Christine Brooke-Rose and Contemporary Fiction. Clarendon Press. 107n26 “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. Birch, Sarah. Christine Brooke-Rose and Contemporary Fiction. Clarendon Press. 230 |
Textual Production | Elizabeth Barrett Browning | Elizabeth Barrett
's first volume produced independently of family help, Prometheus Bound, Translated from the Greek of Æschylus; and Miscellaneous Poems, by the Translator, was published anonymously. It consisted largely of her translation of Æschylus
' tragedy. Garrett, Martin. A Browning Chronology: Elizabeth Barrett and Robert Browning. Macmillan. 19 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Features | Elizabeth Barrett Browning | It contained the contents of the previous volumes, a new translation of Æschylus
's Prometheus Bound, The Runaway Slave at Pilgrim's Point, and further sonnets. These including sonnets on her sisters, her dog... |
Textual Production | Mona Caird | One of MC
's best-known novels appeared: The Daughters of Danaus (the first novel among the selection mentioned in the Times after her death, and reprinted by the Feminist Press
in 1989). In Greek mythology... |
Textual Production | Anne Carson | |
Intertextuality and Influence | Hélène Cixous | Jewoman again discusses myth, particularly that of Orestes, Agamemnon's son, who kills his mother Clytemnestra. Upon Agamemnon's return from the Trojan War (as related in drama by Æschylus
and others), Clytemnestra murdered him because, before... |
Literary responses | Caroline Clive | Despite the universal opinion that the sequel was decidedly weaker than the original, it nevertheless did well enough to go into several editions. The Saturday Review noted that it was a book which, even if... |
Family and Intimate relationships | Margiad Evans | ME
chose the name because the figure of the tragic classical prophetess was much in her mind, crying aloud in the garden in Aeschylus
's words: Once more thy heavy hand with ease hath ruined... |
politics | Beatrice Harraden | BH
seems to have been patriotic (at least in contrast with those of her friends who were pacifists) and pro-Empire: that is, apart from the issue of women's suffrage, fairly conservative in politics. But as... |
Education | Sophia Jex-Blake | The first to respond was Mrs Isabel Thorne
, the next Miss Edith Pechey
. When two more women—Miss Matilda Chaplin
and Mrs Helen Evans
—expressed their intention to apply, SJB
proceeded to request matriculation... |
Performance of text | Liz Lochhead | Following LL
's Medea, her Thebans (adapted from Sophocles
and Euripides
and to a lesser extent from Æschylus
) opened at the Assembly Rooms in Edinburgh as part of the Fringe Festival
. Lochhead, Liz et al. Thebans. Nick Hern. title-page, prelims |
Intertextuality and Influence | Iris Murdoch | Here the quotation of Æschylus
' Hymn to Zeus by the character Max Lejour (modelled on the scholar Eduard Fraenkel
, whose famous Aeschylus seminar IM
had attended) focuses the book's argument that liberal-humanist optimism... |
Textual Production | Sheenagh Pugh | SP
published a poetry collection entitled, with allusion to the Greek tragedian Æschylus
, Beware Falling Tortoises. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | J. K. Rowling | The two epigraphs inserted at the beginning of this final novel added an element of seriousness to the work: the first is from Aeschylus
and the second from the seventeenth-century QuakerWilliam Penn
. A... |
Literary responses | Sappho | Margaret Reynolds
in The Sappho Companion, 2001, sweeps with a broad net translations, portraits, ballets, operas, poems, plays, novels, songs and treatises. Gubar, Susan. “Multiple personality”. Women’s Review of Books, Vol. xviii , No. 12, pp. 13-14. 13 |