Hirshfield, Claire. “The Woman’s Theatre in England: 1913-1918”. Theatre History Studies, Vol.
15
, pp. 123-37. 125-6
Bjørnstjerne Bjørnson
Standard Name: Bjørnson, Bjørnstjerne
Used Form: Bjornstjerne Bjornson
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Publishing | Henry Handel Richardson | She apparently began to write for a readership after giving up the aim of a musical career, by producing contributions for an unnamed friend's manuscript magazine. Her first attempt was Christmas in Australia, an... |
| Occupation | Inez Bensusan | Organisers chose to present two feminist plays by men, Woman on Her Own by Eugène Brieux
, translated by Charlotte Shaw
(Bernard Shaw
's wife), and A Gauntlet by Bjørnstjerne Bjørnson
. |
| Intertextuality and Influence | George Egerton | GE
's realism was influenced by the Scandinavian authors she had read while living in Norway, including Ibsen
, Strindberg
, and Björnson
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Ledger, Sally. The New Woman. Manchester University Press. 193-4 Mix, Katherine Lyon. A Study in Yellow: <span data-tei-ns-tag="tei_title" data-tei-title-lvl="j">The Yellow Book</span> and Its Contributors. Greenwood Press. 173 |
| Education | George Egerton | By adulthood, Chavelita Dunne (later GE
) had already gained proficiency in five or six languages, including Swedish. Mix, Katherine Lyon. A Study in Yellow: <span data-tei-ns-tag="tei_title" data-tei-title-lvl="j">The Yellow Book</span> and Its Contributors. Greenwood Press. 172 |
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