Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, pp. 1-25.
8-9 and n31
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Mrs Alexander | MA
's best-known novel, The Wooing O't, titled from a song by Robert Burns
, appeared in instalments in Temple Bar; in book form it appeared on 11 September 1873 under her new... |
Intertextuality and Influence | Mrs Alexander | Its engaging heroine, Maggie Grey, combines the names of both lovers in Burns
's well-known song, but unlike Burns's Maggie she marries up, her eventual husband, Geoffrey Trafford, being the cousin of an earl. She... |
Textual Production | Joanna Baillie | JB
had agreed to write for anthologist George Thomson
(the successor to Burns
in this work) about twenty original or adapted poems to go to Scottish, Irish, or Welsh tunes. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, pp. 1-25. 8-9 and n31 |
Textual Production | Joanna Baillie | She thus made part of the Scottish ballad revival forwarded by individuals of several generations including Allan Ramsay
, Elizabeth, Lady Wardlaw
, Jean Elliott
, Alison Cockburn
, her aunt Anne Hunter
, Burns |
Literary responses | Joanna Baillie | One of these Scots songs, the humorous Fee him, father, fee him, written for her friend and fellow-author Fanny Head
of Ashfield in Devon, was early enough to be admired by Burns
. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, pp. 1-25. 12 |
Textual Production | Joanna Baillie | She agreed to do this without payment, though Thomson gave her an Indian shawl when adding to his first request six years later. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, pp. 1-25. 9, 11 |
Literary responses | Joanna Baillie | The Eclectic Magazine raised her confidence about her Scots songs by pronouncing that she was easily the equal in the genre of Scott
or Campbell
, and inferior only to Burns
himself. Baillie, Joanna. “Introduction”. The Selected Poems of Joanna Baillie, 1762-1851, edited by Jennifer Breen, Manchester University Press, pp. 1-25. 13 |
Intertextuality and Influence | Barbarina Brand, Baroness Dacre | Original poems (sonnets, songs, ballads, occasional pieces) as well as more translations (from Latin, represented by Horace
, as well as from Italian) occupy the latter part of volume two. Many of the occasional poems... |
Family and Intimate relationships | Maria Barrell | Her husband was the elder James Mackittrick Adair (1728-1801). He had practised as a physician in Antigua and was one of the many enemies of Philip Thicknesse
. His first wife was named Anne Barter... |
Literary responses | Susanna Blamire | In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Intertextuality and Influence | Frances Browne | FB
began writing at the age of seven, when, inspired by her great and strange love of poetry, she attempted to re-write The Lord's Prayer in verse. Browne, Frances. The Star of Attéghéi; the Vision of Schwartz; and Other Poems. Edward Moxon. xvi-xvii |
Family and Intimate relationships | Mary Ann Browne | James Gray's father had been a friend of Burns
, and his namesake James Gray
the Ettrick Shepherd (a Scottish poet who died in 1830) was his uncle. MAB
wrote a poem about listening to... |
Textual Production | Mary Bryan | It was dedicated to James Bedingfield
, and the title page gave her name along with a quotation from Burns
. |
Intertextuality and Influence | Carolina Oliphant, Lady Nairne | In this year both Susanna Blamire
(visiting there) and Robert Burns were writing in Perthshire. This, too, was the year that Carolina Oliphant's father died, and it has been suggested that grief and a... |
Textual Production | Carolina Oliphant, Lady Nairne | It was very generally ascribed to Burns
; Carolina Nairne heard this ascription made in her presence, but she said she never answered. McGuirk, Carol. “Jacobite History to National Song: Robert Burns and Carolina Oliphant (Baroness Nairne)”. The Eighteenth Century: Theory and Interpretation, Vol. 47 , No. 2/3, pp. 253-87. 263 |