Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Anne Brontë | After AB
's death, Charlotte
considered her sister's novelhardly . . . desirable to preserve and the subject matter an entire mistake. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul. 274 |
Literary responses | Mary Cholmondeley | Most literary reviews were positive, some comparing MC
to Charlotte Brontë
or George Eliot
; The Spectator called the novel brilliant and exhilarating. Colby, Vineta. “’Devoted Amateur’: Mary Cholmondeley and Red Pottage”. Essays in Criticism, Vol. 20 , No. 2, pp. 213-28. 214 |
Literary responses | Georgiana Fullerton | Later reviewers have linked the confessional theme and High Church tendencies Parkes, Bessie Rayner. In a Walled Garden. Ward and Downey. 104 |
Literary responses | Elizabeth Robins | The young Virginia Stephen
(usually a reviewer hard to please) praised this book warmly: few living novelists are so genuinely gifted as Miss Robins, or can produce work to match hers for strength and sincerity... |
Literary responses | Emily Spender | The Athenæum reviewer, Almaric Rumsey
, guessed the novelist's gender from the use of the bigamy motif, which he felt to be obviously derivative from more talented novelists (Wilkie Collins
's recently published The... |
Literary responses | Margaret Oliphant | Both Charlotte Brontë
and Charles Dickens
mentioned the appearance of this novel in their letters. Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press. 12 |
Literary responses | Marjorie Bowen | Although MB
was commended for the accuracy of her historical settings in her crime novels, Mary Jean deMarr
points out that she was also faulted for unbelievable reversals and obstrusive symbolism. However, deMarr finds her... |
Literary responses | Amelia B. Edwards | John Cordy Jeaffreson
paid this novel the compliment of a three-column Athenæum review. He predicted eventual success as a novelist for its author, even though he found grave faults in her present production. ABE
... |
Literary responses | Hesba Stretton | Calling the novel an offspring of a bold imagination, the Athenæum comments that it is written without labour or spurious ornament, and that certain scenes are very well described. Athenæum. J. Lection. 2046 (1867): 44 |
Literary responses | Annie Tinsley | The story was thought, however, to derive from other books, both from Harriet Beecher Stowe
's Uncle Tom's Cabin and from Charlotte Brontë
's Villette. In an Advertisement to her next, anonymous novel, AT |
Literary responses | Hannah Lynch | Blackwood's Magazine introduced the serialization of this book with a half-promise of its being a clef: It is, we believe, the faithful narrative of an actual experience, the work of a powerful writer whose identity... |
Literary responses | George Sand | Charlotte Brontë
, signing as C. Bell, expressed to G. H. Lewes
both praise and criticism for GS
: It is poetry, as I comprehend the word, which elevates that masculine George Sand, and... |
Literary responses | Lettice Cooper | Like Cooper's previous book, this too netted a flattering comparison to a nineteenth-century woman writer. Richard Church
in John O'London's likened it to Charlotte Brontë
's Villette. Cooper, Lettice. Fenny. Gollancz. inside dust-jacket |
Literary responses | George Eliot | GE
began to be remembered quite inaccurately as a humourless and self-righteous preacher, to whom invention was less important than exhortation. Karl, Frederick R. George Eliot: Voice of a Century. W.W. Norton. xix Ashton, Rosemary. George Eliot: A Life. Hamish Hamilton. 362 |
Literary responses | Elizabeth Rigby | Brontë
also indulged in assumptions about gender and class in her reading of the critique. She wrote: I read The Quarterly without a pang, except that I thought there were some sentences disgraceful to the... |
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