Charlotte Brontë
-
Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Reception | Anne Brontë | An anonymous reviewer of Agnes Grey and Wuthering Heights in The Spectator for 18 December 1847 commented that the work of all three Charlotte BrontëEmily BrontëBrontë
s suffered from injudicious selection of the theme and matter. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul. 218 |
Textual Production | Emily Brontë | |
Intertextuality and Influence | Anne Brontë | Critic Elizabeth Langland credits AB
's first novel as one of the first by a woman to tell a humble, domestic story and to discover the techniques by which it could win an audience. The... |
Fictionalization | Emily Brontë | Charlotte
's Biographical Notice of Ellis and Acton Bell, her prefaces to Wuthering Heights, and the selection of poems sought to defend her sisters' character and works from the charges of reviewers. She... |
Family and Intimate relationships | Emma Frances Brooke | It appears that EFB
had at least two sisters, and that they may have both been writers. An article written after EFB revealed her authorship of A Superfluous Woman quotes her still undiscovered biographer: There... |
Textual Production | Emma Frances Brooke | It seems that EFB
began writing seriously for financial reasons after her sudden loss of fortune and her move south to Hampstead in London in 1879. Edwards, Joseph, editor. The First Labour Annual 1895: A Year Book of Industrial Progress and Social Welfare. No. 1, The Harvester Press. 163 Daniels, Kay. “Emma Brooke: Fabian, feminist and writer”. Women’s History Review, Vol. 12 , No. 2, pp. 153-68. 156-7 |
Intertextuality and Influence | Rhoda Broughton | Critics have pointed to a range of influences and allusions in this novel. Kate Flint
has suggested that the representation of the sorrowful-eyed aesthete Francis Chaloner was a satiric jab at Oscar Wilde
, who... |
Intertextuality and Influence | Rhoda Broughton | A Fool in Her Folly (which is strongly reminiscent of A Beginner, 1894) features a twenty-year-old protagonist who begins to write in secret, inspired by Guy Livingstone (by George Alfred Lawrence
, to whom... |
Intertextuality and Influence | Elizabeth Barrett Browning | The poem relates in Aurora's first-person blank-verse narrative the story of her childhood and young adulthood. The child of an English father and Italian mother, orphaned young and brought up as a member of the... |
Intertextuality and Influence | Lady Charlotte Bury | Edward Copeland
thinks that this is the most challenging of LCB
's novels because of the complex interrelationship, in Delamere, between aristocratic pastimes, the arts, and the Whig aristocracy. He sees the amateur theatricals as... |
Intertextuality and Influence | A. S. Byatt | Charlotte Brontë
's poem We wove a web in childhood appears as epigraph, along with a sentence from Coleridge
about the serpent as emblem of the imagination. Byatt, A. S. The Game. Chatto and Windus. 4 |
Theme or Topic Treated in Text | A. S. Byatt | The writers considered (each for a single novel) are Jane Austen
, Charlotte Brontë
, George Eliot
, Willa Cather
(for nine of whose works ASB
also wrote Virago
introductions), British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Features | Mona Caird | The protagonist of this novel, Victoria Sedley, has early thoughts about her status as a separate self, which critic Patricia Murphy calls Cartes
ian, but she later grows up into the confines of a woman's... |
Intertextuality and Influence | Ada Cambridge | The Author's Introduction is followed by one hundred short poems divided into two sections, which variously treat the central themes of mortality, impermanence, or the saving grace of Christianity. The poems are predominantly but not... |
Intertextuality and Influence | Rosa Nouchette Carey | In an interview of 1893, Helen C. Black
described RNC
as tall, slender, and erect with large blue-grey eyes with long lashes,soft dark hair, and a low, tuneful voice. Black, Helen C. Notable Women Authors of the Day. Maclaren. 147-8 |
Timeline
No timeline events available.
Texts
No bibliographical results available.