Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | A. Mary F. Robinson | |
Textual Production | Harriet Martineau | These collections supply parts of HM
's correspondence with Matthew Arnold
, Charlotte Brontë
, Jane Welsh Carlyle
, John Chapman
, Maria Weston Chapman
, Anne Jemima Clough
, Samuel Courtauld
, Ralph Waldo Emerson |
Textual Production | May Sinclair | The first of MS
's introductions to the Everyman's Library reprints of the BrontëAnne BrontëEmily Brontë
sisters' novels, the one to Wuthering Heights, was published. Boll, Theophilus E. M. Miss May Sinclair: Novelist: A Biographical and Critical Introduction. Fairleigh Dickinson University Press. 213 |
Textual Production | Angela Carter | She also wrote introductions to works by various writers and artists, including Walter De la Mare
, Christina Stead
, Gilbert Hernandez
, Frida Kahlo
, and Charlotte Brontë
. Peach, Linden. Angela Carter. St Martin’s Press. 172-3 |
Textual Production | A. Mary F. Robinson | An American edition appeared the same year. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 240 |
Textual Production | May Sinclair | |
Textual Production | Emma Tennant | ET
turned her attention from Jane Austen to Charlotte Brontë
with Adèle, Jane Eyre's Hidden Story, which retells the Jane-Rochester romance from the point of view of the watching child-pupil. “Emma Tennant”. Fantastic Fiction. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Elizabeth Gaskell | Immediately after the death of her friend Charlotte Brontë
on 31 March 1855, EG
began gathering details of her life and death, and planning to write a book to make people honour the woman as... |
Textual Production | Willa Cather | In the 1920s WC
was working for a maximum of three hours a day, banishing her work from her mind during the rest of day, but keeping herself fresh for it. She said her only... |
Textual Production | Emma Tennant | Another Brontë
spin-off about Adèle, The French Dancer's Bastard, appeared in 2006. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Matilda Betham-Edwards | |
Textual Production | Emma Frances Brooke | It seems that EFB
began writing seriously for financial reasons after her sudden loss of fortune and her move south to Hampstead in London in 1879. Edwards, Joseph, editor. The First Labour Annual 1895: A Year Book of Industrial Progress and Social Welfare. No. 1, The Harvester Press. 163 Daniels, Kay. “Emma Brooke: Fabian, feminist and writer”. Women’s History Review, Vol. 12 , No. 2, pp. 153-68. 156-7 |
Textual Production | Rebecca West | In 1933 RW
wrote an essay about Emmeline Pankhurst
for The Post-Victorians. She also wrote essays about Charlotte Brontë
, for The Great Victorians (1932), and Elizabeth Montagu
, for From Anne to Victoria (1937). West, Rebecca. “Bibliography”. Rebecca West: A Celebration, edited by Samuel Hynes, Viking Press, pp. 761-6. 763-4 |
Textual Production | Emily Brontë | |
Textual Production | Elizabeth Robins | ER
's novel White Violets, or, Great Powers, which she wrote in 1909 (just after the first unexpurgated appearance of Elizabeth Gaskell
's life of Charlotte Brontë
), remained unpublished, for reasons that are... |
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