W. B. Yeats

-
Standard Name: Yeats, W. B.
Used Form: William Butler Yeats
Used Form: Willie Yeats
WBY , who began publishing well before the end of the nineteenth century, is regarded as one of the most important twentieth-century poets in English, and one of the most international of Irish writers. He was early involved in the Irish Literary Revival, and wrote early, highly romantic lyrics on Celtic and fairy themes. Later he made poetry out of the search for a poetic language. Some of his later work is affected by his interest in the occult.

Connections

Connections Author name Excerpt
politics Augusta Gregory
AG supported the Irish cause more overtly later in life, though her ambivalence toward constitutional politics did not disappear entirely. During the time of The Terror (1920-21), AG published some politically charged accounts of atrocities...
Friends, Associates Augusta Gregory
As well as urging Yeats to meet and take care of the young man, she sent him five pounds and arranged a job for him reviewing books in Paris for the Dublin Daily Express...
Family and Intimate relationships Augusta Gregory
AG never found out that her son was killed by friendly fire. His death inspired Yeats 's elegy In Memory of Major Robert Gregory, a reply to her request that he should write something...
Literary responses Augusta Gregory
The collection was widely admired when it first appeared in print. Yeats praised it in his preface as the best book that has come out of Ireland in my time
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525.
xxviii
and used it as...
Literary responses Augusta Gregory
W. B. Yeats 's introduction, 1904, said the stories were so full of power, and set in a world so fluctuating and dreamlike, that nothing can hold them from being all that the heart desires....
Textual Features Augusta Gregory
The book, which includes two essays and notes by Yeats , consists of stories (grouped into chapters according to their subject-matter) collected between 1890 and 1910 in Galway, Clare, and the Aran Islands...
Friends, Associates Augusta Gregory
In London, AG first met W. B. Yeats , with whom she soon developed an important friendship and collaboration as part of the Irish Literary Revival.
Stevenson, Mary Lou Kohfeldt. Lady Gregory: The Woman Behind the Irish Renaissance. Atheneum.
96, 308
Textual Production Augusta Gregory
By AG 's own account, she learned to write plays by contributing bits of dialogue, when wanted
Gregory, Augusta. Our Irish Theatre. G. P. Putnam’s Sons.
80
for various Abbey playwrights, especially Yeats . Through these collaborations with Yeats—on the structures and plots of...
Occupation Augusta Gregory
The first idea for the Irish Literary Theatre developed as AG , W. B. Yeats , and Edward Martyn were discussing the latter's play Maeve, and asked themselves why it could not be staged...
Textual Production Augusta Gregory
Gods and Fighting Men: The Story of the Tuatha de Danaan and of the Fianna of Ireland, AG 's translation and arrangement of a medieval romance cycle, was published with a preface by W. B. Yeats .
Mikhail, Edward Halim. Lady Gregory: An Annotated Bibliography of Criticism. Whitston.
22
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525.
531
Textual Production Augusta Gregory
The part of Cathleen was written for Maud Gonne , who played it magnificently and with weird power, as Yeats put it.
Murphy, James H. “Broken Glass and Batoned Crowds: <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Cathleen Ni Houlihan</span> and the Tensions of Transition”. Ireland in Transition, 1867-1921, edited by D. George Boyce and Alan O’Day, Routledge, pp. 113-27.
124
Performance of text Augusta Gregory
Cathleen Ni Houlihan, a one-act play co-authored by AG and W. B. Yeats , was first performed by the Irish National Dramatic Company at St Teresa's Hall, Dublin, with Maud Gonne in the title role.
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525.
xxxi, 534
Murphy, James H. “Broken Glass and Batoned Crowds: <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Cathleen Ni Houlihan</span> and the Tensions of Transition”. Ireland in Transition, 1867-1921, edited by D. George Boyce and Alan O’Day, Routledge, pp. 113-27.
113
Literary responses Augusta Gregory
The play was very well received, drawing large and enthusiastic audiences. From the beginning, critics recognized its hypnotic effect and its potential to stir audiences to violence. One reviewer, Stephen Gwynn , questioned whether such...
Friends, Associates H. D.
After her move to England, Ezra Pound introduced HD to his circle of friends, many of whom were important figures in the modernist movement. They included W. B. Yeats , T. S. Eliot ,...
Theme or Topic Treated in Text Nina Hamnett
This book opens in 1926, with the author considerably bewildered by [her] somewhat disordered life since [her] return to England,
Hamnett, Nina. Is She a Lady? A Problem in Autobiography. Allan Wingate.
38
and the later course of the book remains disordered, offering the same flow of...

Timeline

No timeline events available.

Texts

No bibliographical results available.