Women’s Writing in the British Isles from the Beginnings to the Present
W. B. Yeats
-
Standard Name: Yeats, W. B.
Used Form: William Butler Yeats
Used Form: Willie Yeats
WBY
, who began publishing well before the end of the nineteenth century, is regarded as one of the most important twentieth-century poets in English, and one of the most international of Irish writers. He was early involved in the Irish Literary Revival, and wrote early, highly romantic lyrics on Celtic and fairy themes. Later he made poetry out of the search for a poetic language. Some of his later work is affected by his interest in the occult.
In her novel Walking Naked (whose title comes from Yeats
), NB
gave her heroine, Laura, the events of an actual day in her own life.
“The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive.
(23 April 1981): 10
Bawden, Nina. In My Own Time: Almost An Autobiography. Virago.
159
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Textual Production
Elinor Glyn
In October 1915 EG
published a collection of articles on truth, common sense, and happiness under the title Three Things (which was used for a very different text by W. B. Yeats
in 1929). She...
Textual Production
John Millington Synge
He had begun writing this play in the summer of 1902, staying with his mother and relatives at a farmhouse in Tomriland, Wicklow, and by October had shown a version to the Theatre Society...
Textual Production
Martin Ross
MR
resisted a pressing invitation from W. B. Yeats
and Lady Gregory
to write a play with them for the Abbey Theatre
in Dublin. She needed her writings to earn money, but a probably stronger...
Textual Production
Edna O'Brien
In 2010 EOB
edited a selection of the poems of W. B. Yeats
.
Textual Production
Dorothy Wellesley
W. B. Yeats
chose and edited for the publisher Macmillan
a volume of Selections from the Poems of Dorothy Wellesley, in which he sought to establish her reputation.
Wellesley, Dorothy, and W. B. Yeats. Selections from the Poems of Dorothy Wellesley. Macmillan.
vii
Textual Production
Augusta Gregory
By AG
's own account, she learned to write plays by contributing bits of dialogue, when wanted
Gregory, Augusta. Our Irish Theatre. G. P. Putnam’s Sons.
80
for various Abbey
playwrights, especially Yeats
. Through these collaborations with Yeats—on the structures and plots of...
Textual Production
Laura Riding
In the same year she and Graves jointly issued A Pamphlet Against Anthologies, which attacks the anthology culture, and several specific much-anthologized poems by such respected or popular names as W. B. Yeats
,...
Textual Production
Dorothy Wellesley
DW
began collaborative work with Yeats
: what started out as a ballad by herself, and became his ballad The Three Bushes and the songs (by lady, serving-maid, and lover) which went with it.
Jeffares, A. Norman. A New Commentary on the Poems of W.B. Yeats. Macmillan.
367
Textual Production
Maud Gonne
The United Irishman published the text of MG
's own play, Dawn, A Play in One Act and Three Tableaux, about the Great Famine of the 1840s, two years after she appeared in the...
Gods and Fighting Men: The Story of the Tuatha de Danaan and of the Fianna of Ireland, AG
's translation and arrangement of a medieval romance cycle, was published with a preface by W. B. Yeats
.
Mikhail, Edward Halim. Lady Gregory: An Annotated Bibliography of Criticism. Whitston.
22
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525.
531
Textual Production
Augusta Gregory
The part of Cathleen was written for Maud Gonne
, who played it magnificently and with weird power, as Yeats
put it.
Murphy, James H. “Broken Glass and Batoned Crowds: <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Cathleen Ni Houlihan</span> and the Tensions of Transition”. Ireland in Transition, 1867-1921, edited by D. George Boyce and Alan O’Day, Routledge, pp. 113-27.
124
Textual Production
Julia O'Faolain
JOF
's No Country for Young Men adapted from one of Yeats
's best-known poems the title for a historical novel about generations of Irish nationalism and its impact on personal relationships.
Whitaker’s Books in Print. J. Whitaker and Sons.
(1988)
Textual Production
Laura Riding
W. B. Yeats
tried, rather late in the day, to get some of Riding's poems for The Oxford Book of Modern Verse. Their correspondence was fairly amicable
Friedmann, Elizabeth. A Mannered Grace. Persea Books.