Grant, Anne. Poems on Various Subjects. Printed for the Author by J. Moir.
40
Connections | Author name Sort descending | Excerpt |
---|---|---|
Friends, Associates | Martha Fowke | She formed close links with a group of male poets who held opposition political views: James Thomson
, Aaron Hill
(who was corresponding with her by June 1721), Richard Savage
(with whom she was exchanging... |
Occupation | Frances Seymour, Countess of Hertford | Among writers who received Lady Hertford's patronage were Elizabeth Singer Rowe
, Elizabeth Boyd
, Elizabeth Carter
, Mary Chandler
, Isaac Watts
, Laurence Eusden
(for whom she set topics of occasional poems), James Thomson |
Education | Georgiana Fullerton | She could read by four-and-a-half, and recalls an early admiration for hymns by Anna Letitia Barbauld
and Maria Edgeworth
. Julius Cæsar, the first Shakespearean
play that she saw, left a lasting impression. Later... |
Textual Production | Elizabeth Gilding | Her title-page quotes Thomson
on the young mind fed by the light of truth, and Virgil
on being made a poet. The book cost half a crown and was sold by the author herself at... |
Intertextuality and Influence | Anne Grant | When it was printed, each of its five parts was headed with a prose Argument. In a style reminiscent of James Thomson
(whose name is invoked Grant, Anne. Poems on Various Subjects. Printed for the Author by J. Moir. 40 |
Intertextuality and Influence | Sarah Green | |
Intertextuality and Influence | Jane Harvey | |
Textual Features | Eliza Haywood | EH
's socio-political allegory stands virtually alone in her oeuvre in its attempt to reproduce the political instrumentality of Manley
's scandal fiction during the reign of Anne. Ballaster, Ros. Seductive Forms. Women’s Amatory Fiction from 1684 to 1740. Clarendon Press. 157 |
Intertextuality and Influence | Elizabeth Helme | The title-page bears an epigraph from James Thomson
, about the moral struggle of honour and aspiration against ease and luxury. It opens on an old-fashioned couple in their great Yorkshire house, Mr and Mrs... |
Intertextuality and Influence | Elizabeth Helme | The title-page bears some lines from James Thomson
beginning Ye good distrest! / Ye noble few!, which assure the good that their earthly trials and sufferings will be brief. Helme, Elizabeth. Louisa. G. Kearsley. title-page |
Intertextuality and Influence | Elizabeth Helme | Meanwhile in volume one, after the mother and daughter meet in ignorance of their relationship, they exchange somewhat similar histories of being orphaned (or supposedly orphaned), threatened with sexual violence, and undergoing actually violent emotional... |
Intertextuality and Influence | Barbara Hofland | The title-page quotes James Thomson
, and the preface acknowledges the influence of Maria Edgeworth
's The Modern Griselda, 1805. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 366 |
Intertextuality and Influence | Barbara Hofland | The title-page quotes James Thomson
. Uncharacteristically, BH
offers meticulous description of landscape and works of art. |
Textual Production | Jane Johnson | Here JJ
mixed the intellectual or spiritual with the practical: the same page bears a recipe for syllabub and the sentiment I had rather be a favourite of Angels than of men, but I believe... |
Intertextuality and Influence | Mary Latter | The first letter, the earliest piece in the volume, was said to have been written seventeen years ago at the age of seventeen: to Myra, which suggests that ML
may have been one among... |
No timeline events available.
No bibliographical results available.