Barker, Jane. Poetical Recreations. Benjamin Crayle.
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Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Fleur Adcock | She appeared with six other poets in Portfolio no. 3 from London's Steam Press
in 1979 (an actual portfolio of separate leaves, published in fifty signed and numbered copies, in a black cover with illustrations... |
Intertextuality and Influence | Jane Barker | JB
writes to one male friend (my Adopted Brother) on his approaching marriage, not to congratulate but to dissuade. Barker, Jane. Poetical Recreations. Benjamin Crayle. 11 |
Intertextuality and Influence | Natalie Clifford Barney | Rewriting Ovid
, NCB
attributes Sappho
's death to her love for Timas, a young female disciple, instead of Phaon. Causse, Michèle. Berthe ou un demi-siècle auprès de l’Amazone. Tierce. 249 Gilbert, Sandra M., and Susan Gubar. No Man’s Land: The Place of the Woman Writer in the Twentieth Century. Yale University Press. 2: 226 Benstock, Shari. Women of the Left Bank: Paris, 1900-1940. University of Texas Press. 291 |
Textual Production | Aphra Behn | AB
wrote a verse epistle, Ovid
to Julia, designed to defend or excuse the Earl of Mulgrave
(later Duke of Buckingham) for aspiring to the hand of the young Princess Anne
. Todd, Janet. The Secret Life of Aphra Behn. Rutgers University Press. 289-90 |
Intertextuality and Influence | Aphra Behn | This hilarious comedy is set in Rome, with a conspicuously stupid, lustful, and venial puritan
clergyman guyed as Tickletext, in transparent allusion to Titus Oates
and the Popish Plot. The three heroines all... |
Textual Production | Aphra Behn | AB
's well-known The Disappointment, about a pastoral episode of male impotence, is freely translated from a French original which is itself adapted from a passage in Ovid
's Art of Love. It... |
Anthologization | Aphra Behn | |
Friends, Associates | Mary Matilda Betham | As well as meeting at Llangollen with Lady Eleanor Butler
and Sarah Ponsonby
(who later talked with high praise of her), Betham, Ernest, editor. A House of Letters. Jarrold and Sons. 69, 70 |
Theme or Topic Treated in Text | Mary Matilda Betham | Catharine Macaulay
, she insists, was pleasing and delicate in her person, and a woman of great feeling and indisputable abilities, though the democratic spirit of her writings has made them fall into disrepute. Feminist Companion Archive. |
Intertextuality and Influence | Elizabeth Boyd | EB
shares the Scriblerian enthusiasm for mixing genres. She presents To Proteus, The Indisputable God of Change as A Dedication of the foregoing Poem, as a revolutionary Epistle, that shall still more accomplish'dly beautify never-indolent... |
Textual Production | A. S. Byatt | ASB
continued her interest in Ovid
with Arachne, a literary essay, in Ovid Metamorphosed, edited by Philip Terry
in early 2000. Byatt, A. S. “Arachne”. Ovid Metamorphosed, edited by Philip Terry, Chatto and Windus, pp. 131-57. 131 |
Intertextuality and Influence | A. S. Byatt | One reviewer noted ASB
's fascination with the symbolic world of the fairy tale, the dream and the artist's vision shape both the style and the content. Rankin, Bill. “Byatt’s Stories Live Up to her High Standards”. Edmonton Journal, p. F7. F7 |
Occupation | Lady Anne Clifford | |
Intertextuality and Influence | Maureen Duffy | She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother. Duffy, Maureen. That’s How It Was. Virago. xi |
Intertextuality and Influence | Ephelia | Not all the poems in the volume are written in Ephelia's voice (which adds an extra dimension to argument over the ascription of those written in other voices). It seems that Ephelia enjoyed ventriloquizing the... |