Samuel Johnson

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Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell . In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter and Charlotte Lennox to his mentorship of Hester Thrale , Frances Burney , and (albeit less concentratedly) of Mary Wollstonecraft and Henrietta Battier , it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Jane Loudon
In prose the opening tale, Julia de Clifford, presents a well-meaning but thoughtless and impulsive heroine who progresses from dressing up as a ghost to scare the servants, to plunging her lover into despair...
Intertextuality and Influence Barbara Hofland
The title-page quotes Johnson 's Rambler. This novel opens with fashionable and effective abruptness: What can I do? These words, spoken in a low tone, and followed by a heart rending sigh, broke on...
Intertextuality and Influence Eliza Kirkham Mathews
The novel which emerged from so much interference during composition is naive, exaggerated, and badly structured, but highly unusual, with great intensity in its writing. Its title-page quotes Thomas Holcroft , and its epigraphs to...
Intertextuality and Influence Hannah More
HM 's prologue (invoking Samuel Johnson as authority) presents domestic subject-matter as more relevant than the fate of empires.
Intertextuality and Influence Elizabeth Sarah Gooch
It is not clear how much of Bellamy's completed novel ESG actually wrote: as much as the whole of volume three may be hers. Her preface echoes Samuel Johnson when it says the history of...
Intertextuality and Influence Emma Parker
EP says she has studied to avoid a dictatorial tone . . . considering herself rather as one of those [women] she is addressing.
Parker, Emma. Important Trifles. T. Egerton.
prelims
Feminist Companion Archive.
She writes as a strong-minded Christian, and makes use of...
Intertextuality and Influence Josephine Tey
The book is dedicated to those who may not prefer Scotland to Truth, but certainly prefer Scotland to enquiry
Tey, Josephine. Claverhouse. Collins.
prelims
in a submerged allusion to Samuel Johnson 's pronouncement: A Scotchman must be a...
Intertextuality and Influence Elizabeth Meeke
Harcourt's title-page quotes Samuel Johnson . Its story opens in Switzerland, where the sixty-something merchant Mr Elton, travelling for the sake of his health, is saved from falling by a young man who...
Intertextuality and Influence Catherine Fanshawe
The poems by CF include an Elegy on the Abrogation of the Birthnight Ball (her lament, in the person of an elderly beau, for the passing of the old-fashioned minuet: an orgy of grandiose parody...
Intertextuality and Influence Rosa Nouchette Carey
One of the many novels which RNC chose to dignify by quotations to head her chapters, this seems to make a particular attempt to impress. Those quoted imply considerable learning, even if (as seems likely)...
Intertextuality and Influence Anna Letitia Barbauld
The collection includes her Biographical Account of That Author, and Observations on His Writings, her longest single extant work, Johnsonian in manner, taking a critical attitude towards its sources. Her editorial alterations were extremely...
Intertextuality and Influence Rachel Hunter
The preface opens by quoting Johnson 's view of Shakespeare as the poet of nature who moved away from the universal reliance of dramatists on romantic love as the only motive for action. What a...
Intertextuality and Influence Mary Ann Kelty
Again she supplies a paragraph (deliberately not doctrinal, but aiming at practical morality) for each evening of the whole year. For January the fifth, for instance, she quotes our great moralist Dr. Johnson saying that...
Intertextuality and Influence Frances Reynolds
With this rejection of the straight line, or of the phallic, she turns to feminine sensibility on which to ground her principles of taste or of aesthetics. The remarkable result must be called a proto-feminist...
Intertextuality and Influence Mary Ann Kelty
She goes on to quote Johnson , Cowper , Emerson (with whose thought she engages in some detail), and many other canonical names. Among women she quotes from Mary Bosanquet Fletcher (a passage about communion...

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