Marghanita Laski

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Standard Name: Laski, Marghanita
Birth Name: Esther Pearl Laski
Nickname: Marghanita
Married Name: Esther Pearl Howard
Pseudonym: Sarah Russell
ML , a cultural force in twentieth-century Britain, published six novels, four biographies (one on multiple subjects), an anti-nuclear play, a collection of children's stories, three quasi-scientific investigations into secular and religious experiences, and various short stories, including a ghost story and an anti-nuclear fiction. She also edited various collections: poetry, children's stories, and essays on Charlotte Yonge . Her articles and book reviews appeared in the Times, the Times Literary Supplement, and elsewhere. She also wrote three film scripts, co-authored a television series, and made a substantial contribution of quotations for the Oxford English Dictionary. ML 's novels address class issues and gender barriers, often satirically. They reflect the political, social, and economic anxieties and tensions felt in England during the Second World War and the Cold War. A self-professed atheist, ML wrote secular studies of ecstatic experiences.
Black-and-white photo of Marghanita Laski. She is wearing a tassled cap and is draped in striped fabric. Therer is a small gecko brooch on her left that sits between her fingers.

Connections

Connections Author name Excerpt
Textual Production Lady Cynthia Asquith
Her ten anthologies edited during the 1920s (some of them under pseudonyms such as Leonard Gray) had some significance for the writing of that decade, since they incorporated contributions from, for instance, Marghanita Laski
Textual Production Frances Hodgson Burnett
The story that FHB had told in Sara Crewe; or, What Happened at Miss Minchin's remained in her mind after the publication of that book. She reworked and expanded it over a period of years...
Literary responses Frances Hodgson Burnett
When this now-famous book first appeared, reviewers welcomed it, but without any sense of how special it would prove to be.
Gerzina, Gretchen. Frances Hodgson Burnett. Chatto and Windus.
265
Marghanita Laski in 1950 judged this to be as much better than A...
Literary responses Frances Hodgson Burnett
Marghanita Laski called this a somewhat fanciful account of her childhood.
Laski, Marghanita. Mrs. Ewing, Mrs. Molesworth, and Mrs. Hodgson Burnett. A. Barker.
7
Literary responses Frances Hodgson Burnett
This book is said to have been particularly appreciated by later novelists Nancy Mitford and Marghanita Laski . The early twenty-first-century reprint was very well reviewed, and was likened to the work of Edith Wharton .
Persephone Books. http://www.persephonebooks.co.uk/.
Literary responses Frances Hodgson Burnett
FHB was a focus of media attention—occasionally hostile but often flattering—throughout her career. The title of Marie A. Belloc 's interview Mrs. Hodgson Burnett. A Famous Authoress at Home (in the Idler, 9, 1896)...
Cultural formation Frances Hodgson Burnett
Religion seems not to have been of any great importance to her during her early life. She once attended a seance, and found a lot of idiotic blatant humbug going on & some very nice...
Literary responses Frances Hodgson Burnett
The American reviews were highly flattering. The reviewer for the Boston Transcript could think of no more powerful work from a woman's hand in the English language, not even George Eliot at her best.
Gerzina, Gretchen. Frances Hodgson Burnett. Chatto and Windus.
67
Literary responses Frances Hodgson Burnett
FHB 's remark about her hero while he was still in process of composition—that I should not be surprised if he were very popular—turned out to be an extreme understatement.
Gerzina, Gretchen. Frances Hodgson Burnett. Chatto and Windus.
109
Fauntleroy was, says...
Literary responses Ivy Compton-Burnett
Elizabeth Taylor detailed the interest that attended this book's appearance. Published on a Monday, it was broadcast as a radio play on Wednesday, discussed on radio on Thursday by Daniel George (who called the author...
Literary responses Emily Eden
Marghanita Laski , who acknowledged the enjoyment purveyed by EE 's relish of polished cynicism, also felt she could be enjoyed only so long as Jane Austen is quite forgotten.
Nineteenth-Century Literature Criticism. Gale Research.
110
EE 's Indian writings...
Textual Production Georgette Heyer
GH 's Regency romance Charity Girl was on this day both published and made the basis for a notoriously hostile analysis of Heyer's work in The Times by Marghanita Laski .
Laski, Marghanita. “The appeal of Georgette Heyer”. Times, p. 16.
16
Literary responses Georgette Heyer
Laski argued that the taste for popular fiction stemmed from the fact that the serious modern novel had decided to deny itself the amenity of the shapely story satisfactorily resolved, so that compulsive novel readers...
Literary responses Patricia Highsmith
Marghanita Laski , reviewing for the Listener, felt confirmed in her dislike for PH 's work by detecting a strong flavour of being motivated less by pity for animals than by distaste for men.
Wilson, Andrew Norman. Beautiful Shadow: A Life of Patricia Highsmith. Bloomsbury.
331
Textual Production Margaret Kennedy
MK 's study of the craft of fiction writing, The Outlaws on Parnassus, was published by Marghanita Laski 's husband, John Howard , of the Cresset Press .
Powell, Violet. The Constant Novelist. W. Heinemann.
199

Timeline

6 June 1928: On this Derby Day, a magnificently self-congratulatory...

Writing climate item

6 June 1928

On this Derby Day, a magnificently self-congratulatory dinner
Holford-Strevens, Leofranc. “They got egg on their faces”. London Review of Books, pp. 29-30.
29
for a hundred and fifty distinguished people, all male, was held at Goldsmiths' Hall in London to celebrate the completion of the Oxford English Dictionary.

Texts

Laski, Marghanita, and Georgina Battiscombe, editors. A Chaplet for Charlotte Yonge. Cresset Press, 1965.
Laski, Marghanita, and Anton. Apologies. Harvill Press, 1955.
Laski, Marghanita. Ecstasy: A Study of Some Secular and Religious Experiences. Cresset Press, 1961.
Laski, Marghanita. Everyday Ecstasy. Thames and Hudson, 1980.
Ewing, Juliana Horatia et al. “Introduction”. Victorian Tales for Girls, edited by Marghanita Laski, Pilot Press, 1947, pp. 7-12.
Laski, Marghanita. Little Boy Lost. Cresset Press.
Laski, Marghanita, and W. Stein. Love on the Supertax. Cresset Press.
Laski, Marghanita. Mrs. Ewing, Mrs. Molesworth, and Mrs. Hodgson Burnett. A. Barker, 1950.
Laski, Marghanita. “Revising OED”. Times Literary Supplement, No. 3684, p. 1226.
Laski, Marghanita. “The appeal of Georgette Heyer”. Times, p. 16.
Laski, Marghanita. “The Living Language: Ten Random Questions”. Times Literary Supplement, No. 3277, p. 1146.
Laski, Marghanita. The Offshore Island. Cresset Press, 1959.
Laski, Marghanita. “The Tower”. The Third Ghost Book, edited by Lady Cynthia Asquith, James Barrie, 1955, pp. 127-34.
Laski, Marghanita. “The Tower”. The Oxford Book of Twentieth-Century Ghost Stories, edited by Michael Cox, Oxford University Press, 1996, pp. 210-16.
Laski, Marghanita. The Victorian Chaise-Longue. Cresset Press, 1953.
Laski, Marghanita. The Village. Cresset Press, 1952.
Laski, Marghanita. “To the Editor: ’George Eliot and Her World’”. Times Literary Supplement, No. 3725, p. 869.
Laski, Marghanita. Toasted English. Houghton Mifflin, 1949.
Laski, Marghanita. Tory Heaven. Cresset Press, 1948.
Ewing, Juliana Horatia et al. Victorian Tales for Girls. Editor Laski, Marghanita, Pilot Press, 1947.
Laski, Marghanita. “Viewpoint”. Times Literary Supplement, No. 3743, p. 1474.