Martin, Richard. Ink in Her Blood: The Life and Crime Fiction of Margery Allingham. UMI Research Press.
174
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Features | Margery Allingham | In this novel MA
fictionalised the sordid and often undignified wrangles Martin, Richard. Ink in Her Blood: The Life and Crime Fiction of Margery Allingham. UMI Research Press. 174 |
Textual Production | Laurence Alma-Tadema | As translator of Maeterlinck
, LAT
signed (with Yeats
, Meredith
, Swinburne
, Hardy
, Arthur Symons
, Lucas Malet
, |
Education | Diana Athill | DA
was taught at home by governesses (seven successively before she was sent to school), who followed a correspondence course designed for home schooling which was known as Parents Educational National Union
. A French... |
Theme or Topic Treated in Text | Marjorie Bowen | MB
credits British women novelists for modifying the methods of the great European novelists, noting in particular Dorothy Richardson
's perfection of the stream-of-consciousness technique. She draws a contrast between Dorothy Richardson
's Miriam and... |
Friends, Associates | Marie Corelli | The Mackays lived close to writer George Meredith
, whom young Minnie came to revere. He encouraged her to develop her musical talents. Masters, Brian. Now Barabbas Was a Rotter. H. Hamilton. 20 Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Friends, Associates | Lucie Duff Gordon | George Meredith
, who greatly admired LDG
, later lived in a cottage near the Duff Gordons following his separation from his wife. He was to look back at his time spent at the Gordon... |
death | Lucie Duff Gordon | Caroline Norton
, one of LDG
's closest friends, wrote following her death: A great reader, a great thinker, very original in her conclusions, very eager in impressing her opinions, her mind was not like... |
Textual Production | Lucie Duff Gordon | South Africa was the first place where LDG
lived on doctor's orders, apart from her family, in hopes that the warm, dry climate would help relieve her from tuberculosis. She began writing letters to her... |
Fictionalization | Lucie Duff Gordon | LDG
was an inspiration to several of her literary peers. George Meredith
probably had her in mind in drawing his character Lady Dunstane in Diana of the Crossways. (His Lady Dunstane is a close... |
Literary responses | Michael Field | George Meredith
liked the poetry of this play, but had some reservation about the effectiveness of several scenes. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 88 |
Literary responses | Michael Field | George Meredith
thought the play would act well but added this criticism: I do not find in your dramatic prose the complete ring that there is in the sound and volume of your blank verse... |
Literary responses | Michael Field | George Meredith
wrote to MF
after reading Attila, My Attila!, admitting that he had little praise for the line or the characters. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 90 |
Theme or Topic Treated in Text | Michael Field | Both Edith and Katharine contributed to this extraordinary journal, giving their impressions of travel, art, religion, death, and love. They also record encounters with their literary contemporaries, including Robert Browning
, George Meredith
, John Ruskin |
Friends, Associates | Michael Field | They made a friend of George Meredith
some time before 1890 and visited him often. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 66 |
Literary responses | Michael Field | George Meredith
wrote to thank the poets for sending him his much treasured copy. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 67 |