Julia Briggs

Standard Name: Briggs, Julia

Connections

Connections	Author name Sort descending	Excerpt
Textual Production	Lady Cynthia Asquith	LCA (whom critic Julia Briggs calls both a patron and practitioner of the ghost-story) published her first collection of this genre, entitled The Ghost Book: Sixteen New Stories of the Uncanny. Charques, Richard Denis. “Ghosts & Drolls”. Times Literary Supplement, No. 1295, p. 836. 836 Briggs, Julia. Night Visitors. Faber. 44
Literary responses	Elizabeth Bowen	Julia Briggs considered that another story in this collection never really closes the gap between its fearful vision and its humdrum setting. Briggs, Julia. Night Visitors. Faber. 180
Literary responses	Elizabeth Bowen	For Julia Briggs this story was the masterpiece of the volume into which it was later collected. Briggs, Julia. Night Visitors. Faber. 181
Literary responses	Elizabeth Bowen	Bowen described these stories as flying particles of something enormous and inchoate. Kenney, Edwin J. Elizabeth Bowen. Bucknell University Press. 67 Taken singly, they are disjected snapshots—snapshots taken from close up, too close up, in the middle of the mêlée of a battle...
Intertextuality and Influence	Jane Ellen Harrison	JEH 's work exerted a palpable influence on the Modernist movement in literature, and both her persona and her life's work were represented, sometimes in much modified form, in many creative texts. Critic Julia Briggs
Textual Production	Vernon Lee	By this date, according to Julia Briggs , she had already fallen under the influence of Nathaniel Hawthorne 's The Marble Faun, 1860, (an influence she shared with Henry James ). Briggs, Julia. Night Visitors. Faber. 113, 119
Anthologization	Hope Mirrlees	Virginia Woolf hand-set the edition. The colophon uses the sign of the constellation Ursa Major (as did those of HM 's three novels). Briggs, Julia. “The Wives of Herr Bear”. London Review of Books, pp. 24-5. 25 Suzanne Henig reprinted it in the Virginia Woolf Quarterly in 1972...
Literary responses	Hope Mirrlees	Paris was received by an appreciative audience. Before its publication Virginia Woolf described it as very obscure, indecent, and brilliant. Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press. 2: 385 As Julia Briggs observes, its readership remained strictly limited; [but] those, like T. S. Eliot
Literary responses	Hope Mirrlees	Growing interest in HM was reflected in Julia Briggs 's discussion about her contributions to modernist literary culture in her Reading Virginia Woolf, 2006. Recognition of the significance of the author's work has grown...
Textual Production	Hope Mirrlees	The volume brings many unpublished poems to light, and its editorial apparatus includes comment written by Julia Briggs before her death. Parmar is at work on a full scholarly biography.
Literary responses	Hope Mirrlees	Julia Briggs reads the text as a roman à clef in which Scudéry is an unflattering portrait of Natalie Barney (whom HM would have encountered when herself living in Paris) while Harrison appears as the...
Reception	Hope Mirrlees	Reckoning by numbers of reprints issued, Lud-in-the-Mist is HM 's most popular and enduring work. It was frequently re-issued between 1927 and 2000—especially, as Julia Briggs notes, since 1970, and the vogue for J. R. R. Tolkien
Occupation	E. Nesbit	A few years later she believed, as if she had entered into one of her own fantasies for children, that she had found out the Shakespeare cipher, which comes out as definitely as the result...
Publishing	E. Nesbit	From early in her marriage EN began writing seriously for periodicals, for the sake of the income she could bring in. She submitted work in prose and poetry to the radical Weekly Dispatch, The...
Textual Features	E. Nesbit	EN writes more of female sexuality in this novel than anywhere else, using images of imprisonment to express her sense of what it meant to be a woman in a world dominated by men. Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson. 192

Timeline

After 18 February 1914

Leonard Woolf published his second novel, The Wise Virgins (which he had begun to write on his honeymoon). Quite different in genre from his first, it is a roman à clef reputedly presenting harsh caricatures...

1964

When Julia Ballam (an undergraduate at St Hilda's College, Oxford , who later became the scholar Julia Briggs) got pregnant, the college stripped her of her scholarship, but more remarkably for this date they did...

October 2014

Forty years after it had become one of the first five Oxford men's colleges to admit women, Hertford College marked the occasion by replacing its dining-hall portraits of male eminences with striking black-and-white photographs of...

Texts

Briggs, Julia. A Woman of Passion: The Life of E. Nesbit, 1858-1924. Hutchinson, 1987.

Briggs, Julia. Night Visitors. Faber, 1977.

Hurst, Clive. “Selections from the Accession Diaries of Peter Opie”. Children and Their Books, A Celebratiuon of the Work of Iona and Peter Opie, edited by Gillian Avery and Julia Briggs, Clarendon, 1989, pp. 19-44.

Zipes, Jack. “The Origins of the Fairy Tale for Children or, How Script was Used To Tame the Beast in Us”. Children and Their Books: A Celebration of the Work of Iona and Peter Opie, edited by Gillian Avery and Julia Briggs, Clarendon Press, 1989, pp. 119-34.

Briggs, Julia. “The Wives of Herr Bear”. London Review of Books, pp. 24-5.

Briggs, Julia. Virginia Woolf: An Inner Life. Allen Lane, 2005.