Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol.
8
, pp. 1-24. 8
Connections Sort ascending | Author name | Excerpt |
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names | Medora Gordon Byron | At the date of the first Miss Byron novel, Elizabeth Strutt
was publishing as Mrs Byron while the poet George Gordon, Lord Byron
, had had only a single juvenile collection reviewed. While the name... |
Material Conditions of Writing | Lady Caroline Lamb | Just after Byron
's death, LCL
confirmed Isaac Nathan
's exclusive right to set her songs to music. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 8 |
Material Conditions of Writing | Lady Caroline Lamb | According to her own account, LCL
wrote her notorious novel Glenarvon and sent it to press within one month, while articles of separation were being drawn up by her husband following her act of violence... |
Material Conditions of Writing | Angela Thirkell | She began working on this a little before her collection of children's stories. She was at first intimidated by the idea of doing historical, archival research. Her publisher, Hamilton
, encouraged her, and when she... |
Material Conditions of Writing | Marguerite Gardiner, Countess of Blessington | MB wrote occasional verse from her youth. She and Byron
exchanged poems at Genoa in May 1823. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 46-7 |
Material Conditions of Writing | Mary Shelley | |
Literary Setting | Emma Tennant | |
Literary responses | Sydney Owenson, Lady Morgan | This splendidly excessive tale was elaborately summarised by the Critical Review. It had the nerve to complain at the end that Owenson ought to write in a more simple and natural manner, Critical Review. W. Simpkin and R. Marshall. 3d ser. 23 (1811): 195 |
Literary responses | Felicia Hemans | Norma Clarke
sees in this late work some of FH
's strongest poetry and a resolution of the conflicts and inhibitions of her earlier work: Deeply religious, personal, and direct, they reaffirm the centrality of... |
Literary responses | Harriet Martineau | The Athenæum compared this novel favourably to the work of Jane Austen
, saying that HM
outstripped her predecessor in creating characters of a higher order of mental force and spiritual attainment, and offering to... |
Literary responses | Sydney Owenson, Lady Morgan | De Staël
is said to have had France read to her on her deathbed, with approbation. Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 149 |
Literary responses | Sydney Owenson, Lady Morgan | Croker
, who again reviewed for the Quarterly, was obviously one of the race of intolerant critics Quarterly Review. J. Murray. 25 (1821): 532 |
Literary responses | Martha Fowke | Critic Jerome McGann
enjoys this poem's lovely antitheses, playful surprises, and delicate eroticism,as well as its subtle and significant revision of the critical ideas of Alexander Pope
. McGann, Jerome. The Poetics of Sensibility: A Revolution in Literary Style. Clarendon. 44 |
Literary responses | Lydia Howard Sigourney | Edgar Allan Poe
, reviewing this book for the Southern Literary Messenger, thought that LHS
did too much borrowing: from Hannah More
, William Cowper
, William Wordsworth
, and Byron
. Critic Emily Stipes Watts |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
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