Hemans, Felicia. “Introduction”. Records of Woman, edited by Paula R. Feldman, University Press of Kentucky, p. xi - xxxiii.
xvi
Connections | Author name Sort descending | Excerpt |
---|---|---|
Reception | Felicia Hemans | FH
's circulation in her lifetime rivalled that of her most prominent male contemporaries. With sales of about 18,000 volumes, she outsold Coleridge
and Wordsworth
, if not Scott
and Byron
. She proved, as... |
Intertextuality and Influence | Felicia Hemans | She particularly admired Joanna Baillie
's Ethwald and the Chronicles of Froissart
. Germaine de Staël
's Corinne was another major influence on her. She wrote years later: That book, in particular towards its close... |
Literary responses | Felicia Hemans | Byron
, in a letter to Murray
by 30 September 1816, praised The Restoration of the Works of Art to Italy as a good poem—very, and he echoed it in Canto 4 of Childe... |
Literary responses | Felicia Hemans | Byron
considered this poem inadequate as a result of FH
's lack of first-hand knowledge of Greece; her position on the controversial appropriation of the Greek antiquities by Britain also differed from his. Hemans, Felicia. “Introduction”. Records of Woman, edited by Paula R. Feldman, University Press of Kentucky, p. xi - xxxiii. xvi Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Reception | Felicia Hemans | Nevertheless, the Romantic Circles Electronic Edition of this poem edited by Nanora Sweet
and Barbara Taylor
represents it as a much more open and indeed sceptical text than FH
's own comment suggests, and subtitles... |
Literary responses | Felicia Hemans | Appreciation of FH
was slowly growing. Following on the positive responses from Scott
and Byron
, in October 1820John Taylor Coleridge
in the influential Quarterly Review (published by John Murray
, her own publisher)... |
Intertextuality and Influence | Felicia Hemans | The volume cost nine shillings and sixpence, and when the edition of 1,000 sold out, FH
's share of the profits split with John Murray
was £66. According to recent editors of the text, the... |
Friends, Associates | Elizabeth Hervey | EH
's probably full social life has left few traces. She is mentioned twice among Mary Berry
's circle in 1791, and Berry paid her the oblique compliment of calling her Mrs. Pompoustown Hervey after... |
Friends, Associates | Elizabeth Hervey | All this provides background for a story about EH
's behaviour later the same year. John Polidori
related that on Byron
's first visit to Mme de Staël
's chateau at Coppet in Switzerland... |
Intertextuality and Influence | Barbara Hofland | |
Literary responses | Margaret Holford | Joanna Baillie
, to whom the author sent the volume, liked it on the first reading, and still better on the second. She found the title poem truly beautiful, full of striking & pleasing, melancholy... |
Textual Features | Margaret Holford | The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their... |
Literary responses | Margaret Holford | Mary Russell Mitford
called this novel an attempt to portray the poet Byron
, recognisable through several anecdotes familiarly told about him, in very black and exaggerated colors. She maintained that Joanna Baillie
, as... |
Literary responses | Laurence Hope | The Garden of Káma proved extremely popular, and was reissued in each of the next fourteen years under various combinations of the two titles (with later editions tending to lose the accent in Káma)... |
Friends, Associates | Leigh Hunt | While serving his sentence in the Surrey Gaol in Horsemonger Lane (missing his family and ill with lung disease caused by confinement), LH
received as visitors Maria Edgeworth
, William Hazlitt
, Jeremy Bentham
,... |
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