Browne, Mary Ann. Mont Blanc. Hatchard and Son.
v
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Lucille Iremonger | LI
published two biographies of English princesses: of Princess Sophia
, daughter of George III
(who bore a child to an unidentified father), in 1958, and of Queen Victoria
's daughters in 1982. In 1981... |
Textual Production | Margiad Evans | ME
did some writing even after she moved to Sussex, but she dissipated her inadequate energy on competing projects: a play about Byron
, a short study of John Clare
, a few stories... |
Textual Production | Mary Ann Browne | She quotes L. E. L.
on her title page, and dedicates her work (these early efforts of my timid Muse) Browne, Mary Ann. Mont Blanc. Hatchard and Son. v |
Textual Production | Felicia Skene | After five years living in Greece, FS
published her first work, a collection of poems entitled The Isles of Greece, and Other Poems as Felicia Mary Frances Skene. The title apparently alludes... |
Textual Production | Harriet Beecher Stowe | HBS
defended the role taken by Lady Byron
in her marriage to the poet
, which seeks to modify if not to explode prevailing female stereotypes, in Lady Byron Vindicated. Hedrick, Joan. Harriet Beecher Stowe: A Life. Oxford University Press. 368 Adams, John R. Harriet Beecher Stowe. Twayne. 88 |
Textual Production | Amelia Beauclerc | The title-page quotes Byron
. |
Textual Production | Melesina Trench | The University of Texas at Austin
holds the only known copy. (MT
also reproved Byron
in verse for his English Bards and Scotch Reviewers.) Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Parker and Bourn. 231 |
Textual Production | Catherine Fanshawe | The letter that CF
wrote about her first meeting with Germaine de Staël
(also, apparently, her first meeting with Byron
) concentrates firmly on de Staël: Eloquence is a great word, but not too big... |
Textual Production | Lady Caroline Lamb | The British Library Catalogue lists this work under Byron
, not Lamb. She paid for its publication, and sent copies to friends and reviewing journals. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 231 |
Textual Production | Amelia Beauclerc | The title-page suggests foreboding by again quoting Byron
, Fair laughs the morn. |
Textual Production | Frances Trollope | |
Textual Production | Mathilde Blind | MB
edited, with introductions, Byron
's Letters and Journals and his Poetical Works (two volumes), issued in London by the publisher Walter Scott
. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Catherine Fanshawe | Three poems were published together anonymously, of which one, variously known as The Ænigma, The Riddle, and Riddle on the Letter H, was attributed to Byron
but was actually written by CF
. Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons. 41 Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Textual Production | Lady Caroline Lamb | LCL
read an advance copy of the early cantos of Byron
's Childe Harold, and wrote a poem expressing her wish to emulate him. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 1 |
Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams. prelims |
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