Langland, Elizabeth. Anne Brontë: The Other One. Barnes and Noble.
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Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Elizabeth Braddon | |
Literary responses | Mary Elizabeth Braddon | By the time of her death, MEB
's novels had received praise from many great writers of her day, including George Moore
, Arnold Bennett
, Robert Louis Stevenson
and Thomas Hardy
. Her astonishingly... |
Reception | Anne Brontë | AB
's work has from the outset been overshadowed by that of Emily and Charlotte. George Moore
called her a literary Cinderella, Langland, Elizabeth. Anne Brontë: The Other One. Barnes and Noble. 29 |
Publishing | Nancy Cunard | NC
's GM: Memories of George Moore was published with illustrations. Chisholm, Anne. Nancy Cunard. Knopf. 302-3, 304 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Family and Intimate relationships | Nancy Cunard | NC
's mother, Maud Alice (Burke) Cunard
(Emerald), was born in San Francisco in 1872, to a wealthy father of Irish descent and a half-French mother. She was largely self-taught, and had a... |
Occupation | Nancy Cunard | Her purpose in founding the press was to publish mainly contemporary poetry of an experimental kind. Virginia Woolf
warned her that Your hands will always be covered with ink, Ford, Hugh, editor. Nancy Cunard: Brave Poet, Indomitable Rebel 1896-1965. Chilton Book Company. 69 |
Textual Production | Nancy Cunard | When NC
attempted to write autobiography in the autumn of 1956, she felt compelled instead to write sketches of those she had known. The result was her memoirs of important men in her life, including... |
Textual Production | Ella Hepworth Dixon | Alfred Gibbons
, EHD
's editor at Lady's Pictorial, commissioned her and George Moore
to collaborate on a novel, but she was ill and instead went to the Riviera to recuperate. The novel was never written. Dixon, Ella Hepworth. "As I Knew Them". Huchinson. 162 |
Textual Production | George Egerton | One year after this The Yellow Book published a portrait of GE
by E. A. Walton
. Meanwhile the literary contributors to the first issue of the magazine included Henry James
, Max Beerbohm
,... |
Publishing | Violet Fane | Despite fears that he might call her bad names Fane, Violet. “Concerning Some of the ’Enfants Trouvés’ of Literature”. Nineteenth Century, pp. 126-41. 139 |
Occupation | Florence Farr | This was when she was to play Aleil. In Ave, George Moore
satirised the rehearsal process, revealing the actors' frustration about FF
's inability to remember her own stage directions and her penchant for... |
Travel | Michael Field | They visited Paul Durand-Ruel
's gallery to marvel at works by Monet
, Manet
, and Degas
. (They also spotted George Moore
walking through the gallery.) Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 200 |
Literary responses | Michael Field | Speaking to the authors in 1890, George Moore
expressed his appreciation for William Rufus. By Jove, it's fine, he reportedly said, Ma foi, it's good. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 134 |
Literary responses | Michael Field | George Meredith
wrote to thank the poets for sending him his much treasured copy. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 67 |
Friends, Associates | Michael Field | They made a friend of George Meredith
some time before 1890 and visited him often. Field, Michael, and William Rothenstein. Works and Days. Editors Moore, Thomas Sturge and D. C. Sturge Moore, J. Murray. 66 |