McDowell, Paula. “Narrative Authority, Critical Complicity: The Case of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Jonathan Wild</span>”;. Studies in the Novel, Vol.
30
, No. 2, pp. 211-31. 215
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Penelope Aubin | Popular fiction of PA
's type is a target of parody in Henry Fielding
's Jonathan Wild. McDowell, Paula. “Narrative Authority, Critical Complicity: The Case of <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Jonathan Wild</span>”;. Studies in the Novel, Vol. 30 , No. 2, pp. 211-31. 215 |
Intertextuality and Influence | Djuna Barnes | Henry Fielding
Barnes dubbed her heroine, Evangeline Musset, a female Tom Jones. Lanser, Susan Sniader, and Djuna Barnes. “Introduction”. Ladies Almanack, New York University Press, p. xv - li. xxix |
Education | Sybille Bedford | The idea had been that Jack and Suzan Robbins should select a boarding school for Sibylle and have her to stay for the holidays. Instead, with the money provided by her family and trustees, they... |
Textual Production | Patricia Beer | PB
published Driving West: Poems, whose contents balance the urban and rural; its title suggests Donne
's Good Friday, 1613. Riding Westward, but the name this poem invokes is Henry Fielding
, the lawyer on circuit. British Books in Print. J. Whitaker and Sons. 1976 Sherry, Vincent B., editor. Dictionary of Literary Biography 40. Gale Research. 26 |
Intertextuality and Influence | Aphra Behn | Behn is presented in this piece as dressed in the loose Robe de Chambre with her neck and Breasts bare; how much Fire in her Eye! Lavoie, Chantel Michelle. Poems by Eminent Ladies: A Study of an Eighteenth-Century Anthology. University of Toronto. 126 |
Textual Production | Anna Maria Bennett | AMB
published Juvenile Indiscretions, A Novel, written in the style of Henry Fielding
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 375 |
Intertextuality and Influence | Anna Maria Bennett | Readers first encounter the young male protagonist, Henry Dellmore, bearing the nickname of Mumps, and suffering as a pupil at a Dickensian school, under the proprietor Mr Puffardo. Once taken up by benefactors, he... |
Literary responses | Anna Maria Bennett | Mary Russell Mitford
read the Beggar Girl with delight as a schoolgirl in Chelsea, liking it not only for the character and the liveliness, but for the abundant story—incident toppling after incident; all sufficiently natural... |
Theme or Topic Treated in Text | Ann Bridge | Though the authors declare on their opening page that the modern need is to supplement the exhaustive Baedeker with a selective guidebook (something designed to tell travellers what they cannot afford to miss), they actually... |
Intertextuality and Influence | Rhoda Broughton | RB
's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho... |
Textual Features | Frances Burney | Evelina opens with an ode to Charles Burney
(unnamed) as Author of my Being, which sounds like an apology for having written. Doody, Margaret Anne. Frances Burney: The Life in the Works. Cambridge University Press. 37 |
Literary responses | Margaret Calderwood | The editor of MC
's travel account, Alexander Fergusson
, did not think much of her novel; he wrote that it scarcely fulfilled expectations. Calderwood, Margaret. “L’envoi”. Letters and Journals, edited by Alexander Fergusson, David Douglas, pp. 353-78. 356 |
Theme or Topic Treated in Text | Hester Mulso Chapone | When Richardson offered her a list of examples of filial disobedience, she replied that no doubt an equally heinous list could be produced of parental oppression. With Carter
she mulled over religious and literary questions... |
Occupation | Charlotte Charke | CC
, at Henry Fielding
's Haymarket Theatre
, appeared in male roles: as Macheath (John Gay
), Falstaff (Shakespeare
), George Barnwell (George Lillo
), and Lothario (Nicholas Rowe
). The London Stage 1660-1800. Southern Illinois University Press. 3: 402ff |
Occupation | Charlotte Charke | CC
scored a personal success in Henry Fielding
's daring stage satire The Historical Register for the Year 1736, as the auctioneer Christopher Hen (modelled on the actual Christopher Cock
). Baruth, Philip E. “Who Is Charlotte Charke?”. Introducing Charlotte Charke: Actress, Author, Enigma, edited by Philip E. Baruth, University of Illinois Press, pp. 9-62. 23-4 The London Stage 1660-1800. Southern Illinois University Press. 3: 651 |