Riddy, Felicity. “Julian of Norwich and Self-Textualization”. Editing Women, edited by Ann M. Hutchison, University of Toronto Press, pp. 101-24.
103-4
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | M. Marsin | The fuller title is The Womens Advocate; or, Fifteen Real Comforts of Matrimony, being in requital of the late fifteen sham-comforts. With satyrical reflections on whoring, and the debauchery of this age. The author... |
Textual Production | Christine de Pisan | Both the Bibliothèque Nationale
in Paris and the British Library
in London have important manuscripts of works by Christine de Pisan
, many of them beautifully illuminated. Those at the British Library, including the Queen's... |
Textual Production | Hannah More | HM
was a formidably energetic letter-writer all her life, from her early visits to London, which produced scintillating and gossippy letters home, to her old age. Individual collections reached print, like those to Zachary Macaulay |
Textual Production | Jane Barker | Most of her extant manuscripts are at the British Library
and at Magdalen College
, Oxford. Just a few which are more widely scattered (one among the family papers of Jacobite diarist Mary Caesar |
Textual Production | Julian of Norwich | She produced her account first in a shorter and then in a longer version. Riddy, Felicity. “Julian of Norwich and Self-Textualization”. Editing Women, edited by Ann M. Hutchison, University of Toronto Press, pp. 101-24. 103-4 |
Textual Production | Caroline Norton | Other recent publications, print, film, and electronic, witness to a revival of interest in CN
. Selected Writings of Caroline Norton: Facsimile Reproductions, containing excerpts of her poetry, fiction, and other prose, appeared in... |
Textual Production | Margery Kempe | This original manuscript is not extant. The text survives only in one copy (slightly damaged by mice or rats) by a third scribe, made around 1450. Kempe, Margery. “Introduction”. The Book of Margery Kempe, edited by Sanford Brown Meech et al., Oxford University Press, p. vii - lii. xxxii-xxxiii Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Eliza Parsons | An advertisement had promised this novel for 1 June. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 795 |
Textual Production | Katherine Philips | KP
left many surviving manuscripts, now in the National Library of Wales
and a number of other research libraries. She is the only woman included in part two of the Index of English Literary Manuscripts... |
Textual Production | Elizabeth Gaskell | Despite the historical research, and setting aside later attention to getting dialect words exactly right, EG
penned this work, says her biographer Jenny Uglow
, page after page, without correction, Uglow, Jennifer S. “Manuscript Moments”. Lives for Sale: Biographers’ Tales, edited by Mark Bostridge, Continuum, pp. 181-5. 181 |
Textual Production | Anna Maria Mackenzie | AMM
signed an Introduction by the Editor which claims to have translated this text from an ancient German manuscript, but no original is known, any more than one is known for her previous original though... |
Textual Features | Sarah, Lady Cowper | She apparently began by allotting so many pages to each letter of the alphabet, and it seems she could have continued collecting longer than she did, since at the end of her notes under A... |
Reception | Felicia Hemans | A stained-glass window was erected by subscription in honour of FH
in 1865 at St Ann's Church, Dublin, where she is buried. A Felicia Hemans poetry prize is awarded annually for the best lyrical... |
Reception | Sydney Owenson, Lady Morgan | Professionally, Morgan was a notable success. She was a canny businesswoman, never afraid to assert herself against an established publisher or seek out a new one. This paid off in a remarkable level of earnings... |
Reception | Elizabeth Barrett Browning | The standard biography by Gardner B. Taplin
is still the most detailed overall, but it dates from 1957. Other biographies of her singly or jointly with her husband have emerged, both popular works and more... |