Early that year, following the death of Richardson's last surviving daughter, Richard Phillips
had acquired an amazing hoard of Richardson letters. Phillips was unpleasant to work for, both bullying and suspicious, but for her editorial...
Textual Production
Elizabeth Carter
Pennington's contribution is a biography, informal in structure but formal and reverential in tone. It is now available in Cambridge University Press
's Cambridge Library Collection online and in print-on-demand format; see www.cambridge.org/clc.
FA
's Hugh Primas
and the Archpoet, published by Cambridge University Press
, is a volume of modern verse translations of two twelfth-century poets who wrote originally in Latin.
Climenson was Montagu's great-great-niece. She wrote the memoir using bundles of Montagu's memoranda, note-books, diaries, verses, and other material, as well as some of the four or five thousand letters comprising Montagu's correspondence.
Blunt, Reginald, and Elizabeth Montagu. Mrs Montagu, "Queen of the Blues", Her Letters and Friendships from 1762 to 1800. Constable.
Kirkpatrick, Brownlee Jean. A Bibliography of E. M. Forster. Clarendon.
53
Textual Production
Q. D. Leavis
Two years after the author's death, Cambridge University Press
published the first volume in a three-volume series of QDL
's Collected Essays; the other two volumes appeared in 1985 and 1989.
The text received negative reviews; critics again attacked Harrison's use of philology and ethnology, for instance. A more recent critic, Annabel Robinson
in 2002, also finds many shortcomings, arguing, for instance that Harrison uses her...
Reception
Samuel Beckett
SB
was awarded the Nobel Prize for Literature in 1969.
Palmer, Alan, and Veronica Palmer. The Chronology of British History. Century.
429
Knowlson
's Oxford Dictionary of National Biography entry observes that he changed the entire face of post-war theatre as well as influencing painters and...
Reception
Emily Jane Pfeiffer
Women and Work was reissued by Cambridge University Press
in 2010, online and in print-on-demand format.
Pfeiffer, Emily Jane. Women and Work. Cambridge University Press, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Reception
E. Owens Blackburne
In the same preface EOB
promises to include some previously unpublished poems by William Wordsworth
, apparently in connection with the Ladies of Llangollen. Between the publication of the two volumes, however, Wordsworth's son forbade...
Ritchie, Anne Thackeray. A Book of Sibyls: Mrs. Barbauld, Miss Edgeworth, Mrs. Opie, Miss Austen. Cambridge University Press, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Reception
Jane Williams
JW
's A History of Wales was reissued by Cambridge University Press
in 2010, online and in print-on-demand format.
Williams, Jane. A History of Wales. Cambridge University Press, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Reception
Grace Aguilar
The Women of Israel went into its sixth English edition by 1870 and was published, as were most of GA
's works, in many successive editions in the US. It was reissued by Cambridge University Press
Timeline
1534: Henry VIII granted a charter to Cambridge...
Writing climate item
1534
Henry VIII
granted a charter to Cambridge University
giving the right to set up a printing press: Cambridge University Press
, the world's earliest surviving publishing house, printed its first book exactly fifty years later.
Probably 10 July 1748: Dorothea, Lady Bradshaigh, wrote her first...
1923: The first issue of The Fleuron, a magazine...
Writing climate item
1923
The first issue of The Fleuron, a magazine devoted to the history and practice of typography, was published.
1951: Nikolaus Pevsner published the first three...
Building item
1951
Nikolaus Pevsner
published the first three titles in his Buildings of England series, an immensely knowledgeable gazetteer, county by county, of historic and other noteworthy structures.
1977: Maggie Ross wrote and Alan Maley edited Death...
4 July 1996: A Defamation Act of this date, repealing...
National or international item
4 July 1996
A Defamation Act of this date, repealing and amending earlier British acts, has been later attacked as inviting censorship by private interests: a sedition law for millionaires,
Monbiot, George. “The main threat to free speech is legal”. Guardian Weekly, p. 24.
24
because of the huge figures exacted in...
Texts
Bible. Cambridge University Press, 1997.
Ackland, Michael. Henry Handel Richardson: A Life. Cambridge University Press, 2004.
Adamson, John William. ’The Illiterate Anglo-Saxon’ and Other Essays on Education, Medieval and Modern. Cambridge University Press, 1946.
Adamson, John William. Pioneers of Modern Education 1600-1700. Cambridge University Press, 1905.
Hugo Aurelianensis, and Archipoeta. Hugh Primas and the Archpoet. Translator Adcock, Fleur, Cambridge University Press, 1994.
Aguilar, Grace. The Women of Israel. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Aikin, Lucy. Memoirs of the Court of Queen Elizabeth. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Bacon, Anne. “Introduction”. The Letters of Lady Anne Bacon, edited by Gemma Allen, Cambridge University Press, 2014, pp. 1-45.
Armytage, Walter Harry Green. Four Hundred Years of English Education. Cambridge University Press, 1970.
Aston, Elaine. Feminist Views on the English Stage: Women Playwrights, 1990-2000. Cambridge University Press, 2003.
Aston, Elaine. Feminist Views on the English Stage: Women Playwrights, 1990-2000. Cambridge University Press, 2003.
Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 157-73.
Aston, Elaine, and Janelle Reinelt, editors. The Cambridge Companion to Modern British Women Playwrights. Cambridge University Press, 2000.
Bacon, Anne. The Letters of Lady Anne Bacon. Editor Allen, Gemma, Cambridge University Press, 2014.
Bailey, Peter. “’Naughty but nice’: musical comedy and the rhetoric of the girl, 1892-1914”. The Edwardian Theatre: Essays on Performance and the Stage, edited by Michael R. Booth and Joel H. Kaplan, Cambridge University Press, 1996, pp. 36-60.
Bales, Richard, editor. The Cambridge Companion to Proust. Cambridge University Press, 2001.
Balfour, Clara. Sketches of English Literature, from the Fourteenth to the Present Century. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Banham, Martin, editor. Plays by Tom Taylor. Cambridge University Press, 1985.
Barchas, Janine. Graphic Design, Print Culture, and the Eighteenth-Century Novel. Cambridge University Press, 2003.
Barker, Clive. “Theatre and society: the Edwardian legacy, the First World War and the inter-war years”. British Theatre between the Wars, 1918-1939, edited by Clive Barker and Maggie B. Gale, Cambridge University Press, 2000, pp. 4-37.
Barrington, Emilie. G.F. Watts. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Battersby, Christine. “Her Blood and His Mirror: Mary Coleridge, Luce Irigaray, and the Female Self”. Beyond Representation: Philosophy and Poetic Imagination, edited by Richard Eldridge, Cambridge University Press, 1996, pp. 249-72.
Bayly, Christopher Alan. Indian Society and the Making of the British Empire. Cambridge University Press, 1988.
Bennett, Susan. “Genre Trouble: Joanna Baillie, Elizabeth Polack—tragic subjects, melodramatic subjects”. Women and Playwriting in Nineteenth-Century Britain, edited by Tracy C. Davis and Ellen Donkin, Cambridge University Press, 1999, pp. 215-32.
Betham-Edwards, Matilda. Through Spain to the Sahara. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.