Gold, Joel J. “’Buried Alive’: Charlotte Forman in Grub Street”. Eighteenth-Century Life, Vol.
8
, No. 1, pp. 28-45. 30
Connections Sort descending | Author name | Excerpt |
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Textual Features | Lady Eleanor Douglas | In this she claimed for herself the Papal power to excommunicate, and proposed a new day called Moonday to replace Sunday (the sabbath), which Parliament
proposed to abolish. |
Textual Features | May Laffan | The protagonist, John O'Rooney Hogan, is the nephew of a bishop who aims at social climbing. He gains a veneer of Protestantism by attending Trinity College, Dublin
, and at the urging of the duplicitous... |
Textual Features | Muriel Box | Details of the changed world include the telecommunication by screen image, extinction of smoking, and a three-day weekend and four-day work week. Houses are made of toughened glass and cars are solar-charged, self-renewing, and circular... |
Textual Features | Constance Lytton | No intelligent woman, she wrote, could spend time in Holloway Prison
without realising that the wreckage of lives seen there resulted not from human frailty only but also from a state of law and public... |
Textual Features | Sarah Chapone | This 70-page pamphlet, addressed to Parliament
, exhibits detailed knowledge of the law and of recent cases involving heiress marriage, adultery, etc. SC
finds the English law harsher to women than either ancient Roman or... |
Textual Features | Charlotte Forman | Probus (probably CF
) wrote in the Public Advertiser that a time was coming that will enable the people to resume the power delegated to the indolent, corrupt, and venal Parliament
. Gold, Joel J. “’Buried Alive’: Charlotte Forman in Grub Street”. Eighteenth-Century Life, Vol. 8 , No. 1, pp. 28-45. 30 |
Textual Features | Charlotte Elizabeth Tonna | The tone of the novel is serious and didactic. Its claim to advocacy and realism is absolute: Let no one suppose we are going to write fiction, or to conjure up phantoms of a heated... |
Textual Features | Anne Grant | In a passage that deploys all her own high rhetorical ability she seeks to prove that women's ability is normally inferior to men's. Wollstonecraft's book, which is so run after here, that there is no... |
Textual Features | Katherine Chidley | The style of the preface, emotively egalitarian and richly larded with Biblical allusion, Gillespie, Katharine. “A Hammer in Her Hand: The Separation of Church from State and the Early Feminist Writings of Katherine Chidley”. Tulsa Studies in Women’s Literature, Vol. 17 , No. 2, pp. 213-33. 225 |
Textual Features | Mary Augusta Ward | Vineta Colby
comments that here and in its predecessor, Both novels are dressed and furnished in meticulous detail. The cold statistics of the parliament
ary Blue Books are bedecked in sables and lace. Colby, Vineta. The Singular Anomaly: Women Novelists of the Nineteenth Century. New York University Press. 156-7 |
Textual Production | Dorothy White | Following Priscilla Cotton
but preceding Margaret Fell
, DW
defended women's preaching in A Call from God Out of Egypt, by His Son Christ the Light of Life, which is partly in verse (a... |
Textual Production | Lady Eleanor Douglas | LED
dated her Samsons Legacie; it is now seen as a unity with her appeal to Parliament
dated 3 January 1642. Douglas, Lady Eleanor. Prophetic Writings of Lady Eleanor Davies. Editor Cope, Esther S., Oxford University Press. 85ff |
Textual Production | Lucille Iremonger | LI
published her ironically titled And His Charming Lady, a composite biographical study of wives of Members of Parliament
. Iremonger, Lucille. And His Charming Lady. Secker and Warburg. 8 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Lady Eleanor Douglas | She then went to Oxford, where Parliament
was sitting, to show it to the Archbishop of Canterbury. Douglas, Lady Eleanor. Prophetic Writings of Lady Eleanor Davies. Editor Cope, Esther S., Oxford University Press. 1 |
Textual Production | Marguerite Gardiner, Countess of Blessington | She wrote the last two-thirds of the text between 4 and 31 March 1833. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 92 |
No bibliographical results available.