Richard Bentley and Son

Connections

Connections Author name Sort descending Excerpt
Textual Production Barbarina Brand, Baroness Dacre
Translations from Petrarch 's sonnets by BBBD , collected in Dramas, Translations and Occasional Poems, 1821, also appeared in a different form the same year: Ugo Foscolo reprinted them at the end of his...
Intertextuality and Influence Gertrude Bell
She wrote the original part of manuscript for pleasure, but had to add six chapters to it to bring it to book-length, urged on by her parents (who wanted to distract her after the death...
Textual Production Emma Frances Brooke
EFB used her pseudonym to publish with Richard Bentley and Son of London her first novel, A Fair Country Maid, which expresses her socialist views.
Wallace, William. “New Novels”. The Academy, Vol.
24
, No. 585, p. 42.
585 (21 July 1883): 42
Textual Production Emma Frances Brooke
EFB 's publication of her novel The Heir Without a Heritage (with Richard Bentley and Son , as E. Fairfax Byrrne), displayed her increasingly unorthodox religious and political views.
Anonymous,. “The Times Column of New Books and New Editions”. The Times, No. 32075, p. 14.
32075 (18 May 1887): 14
Textual Production Rhoda Broughton
The year 1873 saw the publication of a collection of RB 's uncanny short stories, Tales for Christmas Eve, once again from Richard Bentley and Son . An edition of 1879 was re-titled Twilight...
Publishing Rhoda Broughton
She had considered a number of possible titles for this novel, including Morning, Noon and Night and Life's Little Day. She eventually settled on Goodbye Sweetheart Goodbye, which Bentley , despite her objections...
Publishing Rhoda Broughton
Her friend Ethel Arnold reported that Second Thoughts was RB 's own favourite among her works. She wrote it while another friend, Adelaide Kemble , was dying, and would read Kemble chapters at her bedside...
Intertextuality and Influence Rhoda Broughton
RB 's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho...
Publishing Rhoda Broughton
RB 's novel Nancy was published by Bentley . It was not serialised: she stipulated that it should appear in three-volume form only, and by now her publisher was willing to act on her wishes.
Sadleir, Michael. Things Past. Constable.
105
Publishing Rhoda Broughton
RB 's quasi-autobiographical novel A Beginner was published by Bentley ; its serialization in Temple Bar appeared from January to June the same year.
Cox, Michael, editor. The Oxford Chronology of English Literature. Oxford University Press.
Wood, Marilyn. Rhoda Broughton: Profile of a Novelist. Paul Watkins.
81
Houghton, Walter E., and Jean Harris Slingerland, editors. The Wellesley Index to Victorian Periodicals 1824-1900. University of Toronto Press.
3: 482
Publishing Rhoda Broughton
RB 's novel Dear Faustina was published in a single volume by Bentley , following its serialisation in Temple Bar.
Murphy, Patricia. “Disdained and Disempowered: The "Inverted" New Woman in Rhoda Broughton’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Dear Faustina</span>”. Tulsa Studies in Women’s Literature, Vol.
19
, No. 1, pp. 57-79.
58
Publishing Rhoda Broughton
RB 's The Devil and the Deep Sea proved to be her last novel published with Macmillan (which had purchased Bentley's and acquired her copyrights in 1898).
Wood, Marilyn. Rhoda Broughton: Profile of a Novelist. Paul Watkins.
105, 105n2
Wealth and Poverty Rhoda Broughton
RB , who published almost exclusively with Bentley throughout her career, preferred to receive a lump sum for her novels rather than to rely on royalites and copyright earnings. In her reminiscence Ethel Arnold suggests...
Publishing Rhoda Broughton
It was a request from Bentley's for rewriting (following a vehemently negative report on Not Wisely, but Too Well in manuscript from reader Geraldine Jewsbury ) that caused RB 's second-written novel to appear in...
Literary responses Rhoda Broughton
For Geraldine Jewsbury (who had originally read the manuscript of Not Wisely, but Too Well for Bentley's ), the anonymous author's gender was supposedly self-evident: That the author is not a young woman, but a...

Timeline

3 June 1829: Publisher Henry Colburn went into partnership...

Writing climate item

3 June 1829

Publisher Henry Colburn went into partnership with Richard Bentley (1794 - ­1871) (who, in order to do this, had just dissolved the partnership between himself and his brother Samuel Bentley as printers).

1 September 1832: The two-year-old firm of Colburn and Bentley...

Writing climate item

1 September 1832

The two-year-old firm of Colburn and Bentley was dissolved when Bentley bought Colburn out, amid considerable ill-feeling apparently caused by Colburn's shady financial practices.

December 1865: Alexander Strahan launched The Argosy, a...

Writing climate item

December 1865

Alexander Strahan launched The Argosy, a monthly literary and travel magazine, with Isa Craig as its first editor, and Charles Reade 's Griffith Gaunt as its lead serial.

By 12 September 1885: As the author of My Heart and I, Elinor Huddart...

Women writers item

By 12 September 1885

As the author of My Heart and I, Elinor Huddart published through Remington and Company her novelCommonplace Sinners, which another publisher, Bentley , had rejected as immoral.

1898: The publishing firm of Richard Bentley and...

Writing climate item

1898

The publishing firm of Richard Bentley and Son , dating from 1 September 1832, was sold for eight thousand pounds to Macmillan .

Texts

Betham-Edwards, Matilda. The Roof of France. Richard Bentley and Son, 1889.
Brooke, Emma Frances. A Fair Country Maid. Richard Bentley and Son, 1883.
Brooke, Emma Frances. The Heir Without a Heritage. Richard Bentley and Son, 1887.
Broughton, Rhoda. A Beginner. Richard Bentley and Son, 1894.
Broughton, Rhoda. Belinda. Richard Bentley and Son, 1883.
Broughton, Rhoda. Dear Faustina. Richard Bentley and Son, 1897.
Broughton, Rhoda. Mrs. Bligh. Richard Bentley and Son, 1892.
Broughton, Rhoda. Nancy. Richard Bentley and Son, 1873.
Broughton, Rhoda. Second Thoughts. Richard Bentley and Son, 1880.
Carey, Rosa Nouchette. "But Men Must Work". Richard Bentley and Son, 1892.
Carey, Rosa Nouchette. Lover or Friend?. Richard Bentley and Son, 1890.
Carey, Rosa Nouchette. Mary St. John. Richard Bentley and Son, 1882.
Carey, Rosa Nouchette. Not Like Other Girls. Richard Bentley and Son, 1884.
Carey, Rosa Nouchette. Only the Governess. Richard Bentley and Son, 1888.
Carey, Rosa Nouchette. Uncle Max. Richard Bentley and Son, 1887.
Dixie, Florence, and Julius Beerbohm. Across Patagonia. Richard Bentley and Son, 1880.
Jane Francesca, Lady Wilde,. Driftwood from Scandinavia. Richard Bentley and Son, 1884.
Kemble, Adelaide. Past Hours. Editor Gordon, May E., Richard Bentley and Son, 1880.
Kemble, Fanny. Far Away and Long Ago. Richard Bentley and Son, 1889.
Kemble, Fanny. Notes upon Some of Shakespeare’s Plays. Richard Bentley and Son, 1882.
Kemble, Fanny. Poems. Richard Bentley and Son, 1883.
Kemble, Fanny. Record of a Girlhood. Richard Bentley and Son, 1878.
Kemble, Fanny. Records of Later Life. Richard Bentley and Son, 1882.
Kemble, Fanny. The Adventures of Mr. John Timothy Homespun in Switzerland. Richard Bentley and Son, 1889.
Mathers, Helen. As He Comes Up The Stair. Richard Bentley and Son, 1878.