Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Greenleaf Theatre
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Wealth and Poverty | Constance Smedley | During the 1930s, CS
and her husband were short of money. The Greenleaf Theatre
ended and her books no longer sold well. |
| Textual Production | Constance Smedley | CS
had moved smoothly from writing one-act plays for the Cotswold Players
to writing them for the first, Chelsea, incarnation of the Greenleaf Players. She wrote a number of plays for performance by the... |
| Publishing | Constance Smedley | In July 1922 CS
published an article about the Greenleaf Theatre
ventures in The English Review. Bowe, Nicola Gordon. “Constance and Maxwell Armfield: An American Interlude 1915-1922”. The Journal of Decorative and Propaganda Arts, Vol. 14 , pp. 6-27. 6n5 |
| Occupation | Constance Smedley | Back in London they saw at the Little Theatre run by dancing teacher Margaret Morristhe drama of our dreams: voice and movement and picture accurately synthesized. Smedley, Constance, and Maxwell Armfield. Crusaders. Chatto & Windus. 217 |
| Occupation | Constance Smedley | The group attached to the Greenleaf Theatre
performed initially at a theatre in the King's Road, Chelsea. Later, in the USA from 1915 to 1922, Smedley and Armfield directed both the Greenleaf Theatre and... |
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