Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii.
xi
Connections | Author name Sort descending | Excerpt |
---|---|---|
Performance of text | Augusta Gregory | AG
's first full-length play, The Image, opened at the Abbey Theatre
in Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. xi |
Performance of text | Augusta Gregory | The Abbey Theatre
, Dublin, produced AG
's The Doctor in Spite of Himself, translated from Molière
's Le médecin malgré lui, the first of her Molière translations.. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. x |
Textual Production | Augusta Gregory | AG
published an historical account of the Abbey Theatre
entitled Our Irish Theatre, subtitled A Chapter of Autobiography. Smythe, Colin et al., editors. “Chronology”. Lady Gregory, Fifty Years After, Colin Smythe, pp. 1-12. 8 McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525. xvii |
Author summary | Augusta Gregory | Augusta Gregory
was a highly energetic and creative force in the Irish Literary Revival, which began in the late nineteenth century. Material from her collections and translations of Irish folklore, epics, and oral poetry inspired... |
Family and Intimate relationships | Augusta Gregory | |
Friends, Associates | Augusta Gregory | Sean O'Casey
submitted his first play to the Abbey
in 1919, and became friendly with AG
in 1924 during the successful Abbey run of his play Juno and the Paycock. He was invited to... |
Textual Production | Augusta Gregory | |
Textual Production | Augusta Gregory | AG
wrote several first-rate comedies (many of them set in the fictional Irish village of Cloon), yet she found them difficult and was often apologetic about writing them. She claimed to have created them primarily... |
Performance of text | Seamus Heaney | SH
's version of the Antigone of Sophocles
opened at the Abbey Theatre
in Dublin. Its title, The Burial at Thebes, echoes in structure his earlier translation The Cure at Troy. Billington, Michael. “The Burial at Thebes”. Guardian Online. |
Performance of text | Jennifer Johnston | It was first produced at the Abbey Theatre
in Dublin in 1979. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. “Jennifer Johnston”. doollee.com. Playwrights. |
Performance of text | Jennifer Johnston | Her Selected Short Plays, published in 2003, includes the texts of Moonlight and Music (a one-acter first produced during the YK2 Festival at Dublin in 2000),Mustn't Forget High Noon, O Ananias, Azarias... |
Leisure and Society | Kate O'Brien | As a student in Dublin, KOB
eagerly attended the Abbey Theatre
. This was a period between Synge
and O'Casey
, but she delighted in plays by Shaw
, beginning with Man and Superman. O’Brien, Kate. My Ireland. B. T. Batsford. 116-17 |
Textual Production | Martin Ross | MR
resisted a pressing invitation from W. B. Yeats
and Lady Gregory
to write a play with them for the Abbey Theatre
in Dublin. She needed her writings to earn money, but a probably stronger... |
Performance of text | George Bernard Shaw | Lady Gregory
and W. B. Yeats
produced GBS
's The Shewing-Up of Blanco Posnet: A Sermon in Crude Melodrama at the Abbey Theatre
, Dublin. Innes, Christopher, editor. The Cambridge Companion to George Bernard Shaw. Cambridge University Press. xxv |
Publishing | George Bernard Shaw | The play was supposed to be performed at the Abbey Theatre
in Dublin, but the directors were concerned that its honest portrayal of Ireland would alienate their audience. |
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