Smythe, Colin et al., editors. “Chronology”. Lady Gregory, Fifty Years After, Colin Smythe, pp. 1-12.
8
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Augusta Gregory | |
Textual Production | Teresa Deevy | TD
's next play for the Abbey Theatre (after her hit, Katie Roche), turned from the present to the past: The Wild Goose, set in 1692 with the oppression of the Penal Laws... |
Textual Production | Augusta Gregory | AG
published an historical account of the Abbey Theatre
entitled Our Irish Theatre, subtitled A Chapter of Autobiography. Smythe, Colin et al., editors. “Chronology”. Lady Gregory, Fifty Years After, Colin Smythe, pp. 1-12. 8 McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525. xvii |
Textual Production | Augusta Gregory | |
Textual Production | Augusta Gregory | AG
wrote several first-rate comedies (many of them set in the fictional Irish village of Cloon), yet she found them difficult and was often apologetic about writing them. She claimed to have created them primarily... |
Textual Production | Augusta Gregory | |
Textual Production | Catherine Byron | CB
issued her second volume of poetry, entitled Samhain—which was originally the title of a journal published by W. B. Yeats
from October 1901 to November 1908 to publicize productions at the Abbey Theatre
. Whitaker’s Books in Print. J. Whitaker and Sons. (1988) Byron, Catherine. Settlements; &, Samhain. Loxwood Stoneleigh. prelims Kindley, Evan. “Ismism”. London Review of Books, Vol. 36 , No. 2, pp. 33-5. 33 Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Augusta Gregory | |
Textual Production | Augusta Gregory | |
Textual Production | Catherine Carswell | She helped W. G. Fay
to write his history of the Abbey Theatre
, Dublin, The Fays of the Abbey Theatre: An Autobiographical Record (1935), which emphasises the actors and those who managed the... |
Textual Production | Martin Ross | MR
resisted a pressing invitation from W. B. Yeats
and Lady Gregory
to write a play with them for the Abbey Theatre
in Dublin. She needed her writings to earn money, but a probably stronger... |
Textual Features | Constance, Countess Markievicz | The play is written in the style and language of peasant plays made popular earlier in the century by the Abbey Theatre
. Markievicz's three central characters are: Eileen, the heroine who is a physically... |
Reception | Teresa Deevy | This work was awarded, jointly with Paul Vincent Carroll
's Things that are Caesar's, the Abbey
's prize for new playwrights. It was revived at the Abbey
in late August 1937. Frank O'Connor
wrote... |
Reception | Augusta Gregory | Bernard Shaw
saw Lady Gregory as a born playwright . . . . doomed from the cradle to write for the stage, to break through every social obstacle to get to the stage, to refuse... |
Publishing | Teresa Deevy | Ernest Blythe
, the new managing director of the Abbey Theatre
, Dublin, rejected TD
's latest play, Wife to James Whelan. McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/. |
No bibliographical results available.