Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press.
103, 107, 168
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Travel | Anna Seward | AS
spent six weeks visiting William
and Eliza Hayley
at Eartham in Sussex. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press. 103, 107, 168 |
Theme or Topic Treated in Text | Elizabeth Sophia Tomlins | EST
wrote a verse dedication of this novel to the poet William Hayley
, with allusions which show her to be well acquainted with his writings. She addresses him as a patron of writing women... |
Textual Production | Charlotte Brooke | She began her project as a money-earning one, but was later able to declare that the proceeds would go to charity. A further motive was patriotic and nationalistic: to counter the English (even, sometimes, the... |
Textual Production | Charlotte Smith | It was small but handsome. Thomas Stothard
did two of the illustrations. His design for sonnet 12 (Written on the Sea Shore.—October 1784—the month in which she crossed the Channel with her children... |
Textual Production | Amelia Opie | AO
published the heavily didactic Temper; or, Domestic Scenes: A Tale (inspired by William Hayley
's poem The Triumph of Temper, 1781); it was seven years since her previous novel. Critical Review. W. Simpkin and R. Marshall. 4th ser. 1 (1812): 336 Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research. 231 |
Textual Production | Mariana Starke | Some of MS
's letters are among William Hayley
's papers at the Fitzwilliam Museum
in Cambridge, others among the John Murray
papers. Crawford, Elizabeth. “Posts tagged Mariana Starke”. Woman and her Sphere. |
Textual Production | Mary Scott | Anna Seward was eagerly awaiting the appearance of this poem in April. Seward, Anna. Letters of Anna Seward. Editor Constable, Archibald, Vol. 6 vols. , A. Constable. 2: 89 |
Textual Features | Anna Seward | From the first (in a letter to William Hayley
about her visit) AS
had seen the noise, fire, and steam associated with iron-producing (often hailed at this period as aesthetically sublime) as an intrusion in... |
Textual Features | Germaine Greer | The introduction begins, It is not quite forty years since eliminating menopause was first mooted. Greer, Germaine. The Change. Penguin. 1 Greer, Germaine. The Change. Penguin. 2 |
Textual Features | Anna Miller | Apart from Anna Seward
, the volumes contain only a handful of women's names, but nearly half the contributions are given anonymously. The male poets honoured include Richard Graves
and William Hayley
. |
Textual Features | Joanna Baillie | The poems present human shifts of mood and quirks of feeling. They are sensitively observed and charmingly written. The only modern poets she yet knew of to admire, JB
said later, were William Hayley
and... |
Publishing | Mariana Starke | MS
was writing poetry while still in her teens, and sending her poems for comment to William Hayley
. The social flutter caused in her neighbourhood by a visit from a published woman writer made... |
Publishing | Anna Seward | |
Publishing | Helen Maria Williams | The Poems were in two volumes, with HMW
's name in full, published by Rivington and Marshall
, with an engraved frontispiece drawn by Maria Cosway
. Subscribers included the Prince of Wales
(whose name... |
Publishing | Charlotte Brooke | Her father had cherished a never-executed project for a history of ancient Irish literature. Ashley, Leonard R. N. et al. “Introduction”. Reliques of Irish Poetry, Scholars’ Facsimiles and Reprints, p. v - xv. vi |
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