Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams.
263, 199
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Bernardine Evaristo | Evaristo lists her influences as including The Bone People by Keri Hulme
, Mama Day by Gloria Naylor
, The Famished Road by Ben Okri
, The Remains of the Day by Kazuo Ishiguro
,... |
Occupation | Maggie Gee | Having been a temporary filing clerk before university, MG
worked from 1972 to 1974 for Elsevier International Press
at their offices in Oxford, then spent six months on the dole, writing. While working at... |
Performance of text | Ruth Prawer Jhabvala | There opened in New York another immense Merchant-Ivory
success with RPJ
's screenplay: The Remains of the Day, adapted from the novel by Kazuo Ishiguro
. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams. 263, 199 |
Intertextuality and Influence | Kamila Shamsie | She has named a number of authors with impact on her teenage years, including Kazuo Ishiguro
, Anita Desai
, and Peter Carey Shamsie, Kamila. “A long, loving literary line”. theguardian.com. |
Textual Production | Rose Tremain | RT
published her first novel, entitled Sadler's Birthday, which (like Kazuo Ishiguro
's highly successful The Remains of the Day, 1989) is a story centred on an ageing butler as its protagonist. British Books in Print. J. Whitaker and Sons. 1979 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Intertextuality and Influence | Sarah Waters | SW
puts in puts in something like a regular work day when writing, but keeps going to all hours when re-writing. Despite her success, she still finds the process largely torture. And yet [s]tarting... |
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