Barrell, Maria. Reveries du Coeur. Dodsley, Walter, Owen, and Yeats.
prelims
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Maria Barrell | This was Printed for the Author, with a quotation from Prior
on the title-page. Barrell, Maria. Reveries du Coeur. Dodsley, Walter, Owen, and Yeats. prelims |
Textual Features | Aphra Behn | She praised Creech's version (the first available in English) as making ancient learning available to women, whose education (according to the scanted Customs of the Nation) Behn, Aphra. The Works of Aphra Behn. Editor Todd, Janet, William Pickering. 1: 25 |
Textual Production | Annie Besant | AB
published through the Freethought Publishing Company
the pamphlet Sic Itur ad Astra; or, Why I Became a Theosophist. The Latin quotation which opens the title comes from Virgil
's Aeneid. It means... |
Occupation | R. D. Blackmore | He published several volumes of poetry and translated works by Theocritus
and Virgil
. He found the occupation of novelist extremely profitable, and used most of his revenue from writing to fund his horticultural endeavours... |
Intertextuality and Influence | Ann Eliza Bleecker | She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death... |
Intertextuality and Influence | Eavan Boland | Here she retains her focus on history and on women's lives. The relation between the two is paradoxical. Mise Eire (meaning I am Ireland) McEvoy, Anne. Conversation about Eavan Boland with Isobel Grundy. Boland, Eavan. Outside History. Norton. 78-9 |
Literary Setting | Lady Charlotte Bury | Opening in Lyons, the story moves through a whole list of places personally known to LCB
: England (where Bertha goes to be a governess after her husband deserts her), Scotland, Switzerland... |
Textual Production | Mary Carleton | According to critic Mihoko Suzuki
, The Case incorporates two portraits of its protagonist. The same plate was apparently used in two versions, one revised as to the hairstyle and ageing of the face. One... |
Education | Jane Welsh Carlyle | JWC
's Latin lessons began at the age of four, and by the time she was nine she was studying Virgil
. Surtees, Virginia. Jane Welsh Carlyle. Michael Russell. 8 |
Textual Production | Willa Cather | She chose an epigraph from Virgil
's Georgics, Lee, Hermione. Willa Cather: A Life Saved Up. Virago. 90 Urgo, Joseph R., and Willa Cather. “Introduction. Willa Cather: A Brief Chronology. A Note on the Text”. My Ántonia, edited by Joseph R. Urgo and Joseph R. Urgo, Broadview Press, pp. 9-39. 35 |
Intertextuality and Influence | Hélène Cixous | HC
underlines her argument by examining myth. The mythical image of Perseus before the Medusa is invoked to describe a male fear of woman, and she calls women the dark region of men's world, saying:... |
Family and Intimate relationships | Sara Coleridge | |
Intertextuality and Influence | Jane Collier | Perhaps JC
's most pressing concern here is with women's issues: Women live most part of their lives in the office of Nursing, either Parents Husbands or Children. Collier, Jane et al. Common Place Book. 7 |
Intertextuality and Influence | Helen Craik | The title-page quotes Virgil
. The preface relates how while staying with a friend in the north the author discovered an ancient manuscript, much torn and defaced in a trunk in a garret. Craik, Helen. Henry of Northumberland. William Lane. 1: xi |
Intertextuality and Influence | Mary Delany | Janice Thaddeus
discusses the prerogative MD
assumed in giving names of her own invention to people and places. Her uncle Lansdowne was Alcander (a violent man mentioned in Plutarch
's Lives, who was forgiven... |