Bertolt Brecht

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Standard Name: Brecht, Bertolt

Connections

Connections Sort descending Author name Excerpt
Textual Features Claire Luckham
Scum takes place in a laundry at the time of the Paris commune (between September 1870 and January 1871). Making use of the Brechtian techniques of song and direct address, the play establishes connections between...
Textual Features Claire Luckham
The metatheatrical first act takes place during rehearsals for William ShakespeareRomeo and Juliet (in which Kemble made her triumphant stage debut on 5 October 1829); in it Kemble's aunt Sarah Siddons instructs her niece on playing...
Textual Features Adrienne Rich
This volume's title and epigraph are taken from The Great Gatsby. Like AR 's other works, Dark Fields of the Republic reflects a diverse group of artistic and social influences, which include the Bible...
Textual Features Angela Carter
According to Linden Peach , the writings of Bertolt Brecht and Mikhail Bakhtin influenced AC 's notions of theatre and the carnivalesque, which are central features of Nights at the Circus. However, Peach went...
Textual Features Caryl Churchill
Churchill employs Brecht ian alienation techniques in her songs, which she specifies are not part of the action and should if possible be sung by actors in modern dress.
Churchill, Caryl. Plays: One. Methuen.
133
These provide ironic commentary on...
Textual Features Ali Smith
Although certainly located in the Brechtian tradition of epic theatre, with its political resonances and self-referentiality, it is likewise identifiable as theatre of the absurd (as AS points out),
Smith, Ali. “Just”. Shell Connections 2005: New Plays for Young People, Faber and Faber, pp. 275-24.
317
with the apparent influences of...
Textual Features Caryl Churchill
Churchill encourages cross-gender and cross-racial casting. Joshua, a black servant who appears to have been thoroughly brainwashed by colonialist ideology, is to be played by a white actor (a decision motivated by there being no...
Textual Production Anne Devlin
After writing for television, AD was drawn to live theatre because of the medium's relative freedom from censorship and its enduring qualities: It is Literature. When you create a character in the theatre you are...
Textual Production Elaine Feinstein
In a historical novel or fictional biography entitled Loving Brecht, EF presented Frieda Bloom, an invented cabaret singer, relating her life with Bertolt Brecht , in Germany (Berlin), Moscow, and the USA...
Textual Production Dorothy Richardson
In 1932 DR missed out on a chance to work with Bertolt Brecht . Shortly after the release of The Dubarry, of which her translation received excellent notices, she received a request from Brecht...

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