Margaret Atwood

Standard Name: Atwood, Margaret
Birth Name: Margaret Eleanor Atwood
Nickname: Peggy Atwood
Indexed Name: M. E. Atwood
Well before the end of the twentieth century MA had become one of Canada's leading writers in multiple genres. She now writes for a global audience who read her more than forty novels , poetry,short stories, criticism, lectures, editing of anthologies, and experiments with new, mixed, and digital genres.

Connections

Connections Sort ascending Author name Excerpt
Travel Liz Lochhead
LL went to Glendon College in Toronto, on the first Scottish Arts Council Scottish/Canadian Writers' Exchange.
The Canadian writer who spent that year in Scotland was the novelist Graeme Gibson , Margaret Atwood 's partner.
Smith, Ali. “Liz Lochhead: Speaking in Her Own Voice”. Liz Lochhead’s Voices, edited by Robert Crawford and Anne Varty, Edinburgh University Press, pp. 1-16.
8, 13
Textual Production Germaine Greer
In 2013 GG sold her archives (student notes and essays, scripts for the CambridgeFootlights Society , literary and scholarly manuscripts, diaries, a handmade book designed for her friend Gay Clifford , and professional and...
Textual Production Alice Munro
The title of one of these stories, Carried Away, was used for a selection of her work made by Munro herself and published in 2006 with an introduction by Margaret Atwood .
Textual Production Naomi Alderman
NA writes frequently in the Guardian. For instance, in an article on the televising of Margaret Atwood 's The Handmaid's Tale she provides a sketch of utopian and dystopian fiction by women, from Margaret Cavendish
Textual Production Elizabeth Jolley
EJ invoked as an appropriate description of her own motivation, Flaubert 's dictum that writing comes from an inner wound.
Joussen, Ulla. “An Interview with Elizabeth Jolley”. Kunapipi, Vol.
15
, No. 2, pp. 37-43.
40
She said of Johnson 's Rasselas and Goethe 's Elective Affinities (both of which...
Textual Production Naomi Alderman
Not a game, but another engagement with zombies, is the horror novel The Happy Zombie Sunrise Home, written in collaboration (a chapter each alternately) with Margaret Atwood and issued in instalments on the digital...
Textual Production Ursula K. Le Guin
UKLG 's volume of trenchant, funny, lyrical essays or blog posts, No Time to Spare. Thinking about What Matters, covered, as Margaret Atwood wrote, everything from cats to the nature of belief, to the...
Textual Production Harold Pinter
Pinter was highly productive as a writer of screenplays, beginning with The Servant in 1963. This film, adapted from a novella by Robin Maugham and dealing with an employer (Dirk Bogarde ) who is...
Textual Production Angela Carter
In mid-career AC said she had worked mainly with women as her publishers' editors. Shared gender makes a difference in this relationship, she wrote, even if the reader has zero feminist consciousness.
Carter, Angela. “Notes from the Front Line”. On Gender and Writing, edited by Michelene Wandor, Pandora Press, pp. 69-77.
72
Her two...
Textual Production Gillian Clarke
GC has contributed poems to more than half a dozen journals, Welsh, English, and American, and most frequently to Poetry Wales, the New Welsh Review, and Poetry Nation Review (PNR). She has reviewed...
Textual Production Ali Smith
In addition to these collaborative works, AS has published an anthology of her own favourite texts, those she sees as essential to her development as a writer. Published twice under different titles—The Reader (2006)...
Textual Production Ali Smith
With her background in academia and her work reviewing fiction for The Scotsman and The Guardian, AS has produced an impressive amount of literary criticism. She has written critical introductions for reissues of work...
Textual Production Jeanette Winterson
The other opening title was Margaret Atwood 's The Penelopiad: The Myth of Penelope and Odysseus.
Textual Features Germaine Greer
The selection of poets is highly informed. It reaches back in time before GG 's anthology Kissing the Rod, to Anne Askew and Isabella Whitney , and forward to Carol Ann Duffy and Margaret Atwood
Textual Features Liz Lochhead
In considering the question of why Mary Shelley created monsters, LL says she was haunted by that phrase from Goya : The sleep of reason produces monsters. If you try to force things to be...

Timeline

December 1953: Hugh Hefner launched his magazine Playboy,...

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December 1953

Hugh Hefner launched his magazine Playboy, published in Chicago. The first issue featured a previously unpublished nude photo of Marilyn Monroe .

May 1978: Virago Press issued its first Virago Modern...

Women writers item

May 1978

Virago Press issued its first Virago Modern Classics, a historically important series most though not all of which were novels.

January 1996: Virago Press resumed operations as an imprint...

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January 1996

Virago Press resumed operations as an imprint of another larger company, Little Brown . Its board took the decision to sell in 1995, two years after its twentieth birthday.

10 October 2006: Kiran Desai won the Man Booker Prize for...

Writing climate item

10 October 2006

Kiran Desai won the Man Booker Prize for Fiction for her novel The Inheritance of Loss.

26 September 2009: The Guardian newspaper carried a number of...

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26 September 2009

The Guardian newspaper carried a number of poems and short prose pieces commissioned in support of the 10:10 initiative to reduce carbon emissions.

Texts

Atwood, Margaret. “’Little Chappies With Breasts’”. New York Times Book Review, p. 11.
Atwood, Margaret. “A Nobel for our times”. Guardian Weekly, p. 16.
Atwood, Margaret. A Quiet Game, and Other Early Works. Editors Chung, Kathy and Sherrill Grace, Juvenilia Press, 1997.
Atwood, Margaret. Alias Grace. McClelland and Stewart, 1996.
Atwood, Margaret, and Johnnie Christmas. Angel Catbird. Dark Horse Books, 2016.
Atwood, Margaret. Bluebeard’s Egg. McClelland and Stewart, 1983.
Atwood, Margaret. Bodily Harm. McClelland and Stewart, 1981.
Atwood, Margaret. Bottle. Hay Festival Press, 2004, http://PS 8551 T97 B75 2004 Special Collections.
Atwood, Margaret. Cat’s Eye. McClelland and Stewart, 1988.
Atwood, Margaret. Dancing Girls and Other Stories. McClelland and Stewart, 1977.
Atwood, Margaret. Double Persephone. Toronto, ON, 1961.
Guppy, Shusha et al. “Edna O’Brien”. Women Writers at Work: The <span data-tei-ns-tag="tei_title" data-tei-title-lvl="j">Paris Review</span> Interviews, edited by George Plimpton and George Plimpton, Viking, 1989, pp. 337-59.
McMaster, Juliet, and Margaret Atwood. “Foreword”. A Quiet Game, and Other Early Works, edited by Kathy Chung et al., Juvenilia Press, 1997, p. vi.
Atwood, Margaret, and Christian Ward. “Freeforall”. The Guardian, pp. 59-63.
Atwood, Margaret. Good Bones. Coach House Press, 1992.
Atwood, Margaret. “Guardian book club”. The Guardian, p. Review 7.
Atwood, Margaret. Hag-Seed. Knopf Canada, 2016.
Atwood, Margaret. “Here comes a chopper . . ”. The Guardian, p. Review 6.
Atwood, Margaret. “How I fell for Twitter”. The Guardian, p. 35.
Atwood, Margaret. I’m Starved for You. Byliner Fiction, 2012.
Atwood, Margaret. In Other Worlds: SF and the Human Imagination. Signal, 2011.
Atwood, Margaret. Interlunar. Oxford University Press, 1984.
Grace, Sherrill, and Margaret Atwood. “Introduction”. A Quiet Game, and Other Early Works, edited by Kathy Chung et al., Juvenilia Press, 1997, p. vii - xiv.
Carrière, Marie, and Margaret Atwood. “Introduction”. The Burgess Shale, University of Alberta Press; CLC, 2017, p. ix - xii.
Atwood, Margaret. Lady Oracle. McClelland and Stewart, 1976.