British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Kathleen Raine | KR
published her final critical work, Golgonooza, City of Imagination: Last Studies in William Blake. |
Textual Production | Eleanor Farjeon | The title is a quotation from William Blake
's Introduction to Songs of Experience. This poem begins, Hear the voice of the Bard! and concludes, The starry floor, / The wat'ry shore, / Is... |
Textual Production | Marghanita Laski | ML
dedicated this novel to her son Jonathan. She took her title from Blake
's The Little Boy Lost: Father, father where are you going? / Oh, do not walk so fast! / Speak... |
Textual Production | Katharine Tynan | In this dedication she was taking a stand against the position of her own party, the Irish Nationalists, who had called for Wyndham's resignation (tendered in March this year) from his position as Chief Secretary... |
Textual Production | Kathleen Raine | Early in her career KR
was known as a commentator on contemporary or near-contemporary, modernist poetry: a volume of her reviews written between January 1941 and March 1951 was published in 2002 as Defining the... |
Textual Production | Q. D. Leavis | In this work the Leavises argue (radically modifying the view stated in The Great Tradition) that Dickens was an inheritor of Shakespeare
and Blake
, and a major influence on the formation of the... |
Textual Production | Marina Warner | MW
's Into the Dangerous World: Some Reflections on Childhood and its Costs (in the Chatto Counterblasts Series) lambasted the British government for failing to provide an adequate standard of living for children. The... |
Textual Production | Eva Figes | EF
explicitly addressed to grandparents her Tales of Innocence and Experience. An Exploration, which is both a memoir and a collection of revisions of fairy-tales. By its allusion to Blake
, the title evokes... |
Textual Production | Penelope Lively | Once more the titles provoke curiosity. They include Venice, Now and Then, Grow Old Along with Me, the Best Is Yet to Be (opening line of a poem by Robert Browning
), Yellow... |
Textual Production | Kathleen Raine | |
Textual Production | Mary Butts | This account of her life from childhood to the age of twenty takes its title from a poem by William Blake
. The poem's speaker is caught by a Maiden while dancing in the wild... |
Textual Production | Margaret Gatty | Juliana Ewing
called MG
's collection of three stories, The Human Face Divine and Other Tales (titled from Paradise Lost), 1859, a very characteristic volume. Ewing, Juliana Horatia. “Margaret Gatty, 1885”. A Celebration of Women Writers, edited by Mary Mark Ockerbloom. xvi The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1677 (1859): 812 To most readers today the... |
Textual Production | Marie Belloc Lowndes | For Mary King Patterson
of the New York Daily News (a personal friend), MBL
wrote It Is Happening Now, about England at war (an imaginary war, since the story was complete some months before... |
Textual Production | Kathleen Raine | In 1979 she published From Blake to A Vision, an essay arguing that both Yeats
and Blake
fall within the central and primary tradition of British Poetry. Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research. 20: 291 |
Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett
. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
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