William Blake

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Standard Name: Blake, William

Connections

Connections Author name Sort descending Excerpt
Publishing Margaret Atwood
The Cranbrook Academy of Art at Bloomfield Hills, Michigan, began in 1964 to issue MA 's portfolios jointly produced with artist Charles Pachter . In 1966 it published fifteen copies each of: Speeches for...
Intertextuality and Influence Anna Letitia Barbauld
Literary admirers of the hymns included Hannah More , Anna Seward , and Elizabeth Carter , who found some passages amazingly sublime.
McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press.
193
The innumerable children who loved and later remembered them included Mary Anne Schimmelpenninck
Literary responses L. S. Bevington
Unlike LSB 's first volume of poetry, this achieved some success in literary circles while it was largely ignored by the scientific community.
Miles, Alfred H., editor. The Poets and the Poetry of the Nineteenth Century. AMS Press.
9: 228
The Academy comprehensively panned it, terming it flatulent trash...
Textual Features Elizabeth Bishop
The volume reproduces in facsimile no fewer than sixteen drafts of one of EB 's best-known poems, One Art; Quinn's notes include snippets of rejection letters from the New Yorker.
White, Gillian. “Awful but Cheerful”. London Review of Books, pp. 8-10.
10
The passages...
Literary responses Susanna Blamire
In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received.
Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder.
An article in the Journal of the Lakeland Dialect Society in 1947 argued that her best work was...
Literary responses Emily Brontë
Since the early criticism which took its lead from Charlotte's biographical portrait, a biographical and hagiographic industry has arisen around all three Brontë sisters and their home in Haworth. A. Mary F. Robinson published...
Leisure and Society Mary Brunton
As tourists MB and her husband were just as interested in cultural events, industries, and industrial and military trade as they were in, for instance, old buildings. On her first visit to London she attended...
Family and Intimate relationships Mary Butts
His forebears had strong links with the artistic world. While he himself was a friend of the Pre-Raphaelite artist Dante Gabriel Rossetti , Mary's great-grandfather, Captain Thomas Butts , had been a patron of William Blake
Cultural formation Mary Butts
MB 's family owned a total of thirty-four Blake watercolours, portraits, and sketches, and several of his engravings, which were housed at Salterns. These were a source of poetic inspiration for MB ; she felt...
Textual Production Mary Butts
This account of her life from childhood to the age of twenty takes its title from a poem by William Blake . The poem's speaker is caught by a Maiden while dancing in the wild...
Theme or Topic Treated in Text Mary Butts
Early in the memoir, she discusses her family's relationship with William Blake and the influence of his art on her life. She claims that just one of his artistic works possessed her, and its hold...
Leisure and Society A. S. Byatt
ASB later recalled the 1960s as a time of desire to be perpetual children, signified by wearing baby doll dresses and oh-so-innocent daisies as well as by quoting Blake . One of her seminal experiences...
Reception Dora Carrington
Before she began painting, Carrington mused in a letter to Lytton Strachey about what she had seen: Doré , or Blake could hardly have conceived anything more frenzied.
Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press.
86
Jane Hill finds in the work...
Literary responses Leonora Carrington
In her 2017 assessment Marina Warner likens the text, as a testament to the horrors of psychosis and convulsive drug therapy that is split between visionary illumination and profound psychological distress, to such writing as...
Leisure and Society Mary Elizabeth Coleridge
She remained deeply interested in art (she frequented galleries and developed a deep appreciation for Blake , Turner , and the more contemporary Renoir , and Monet ). She also regularly attended the theatre.
Coleridge, Mary Elizabeth. “Memoir and Editorial Materials”. Gathered Leaves from the Prose of Mary E. Coleridge, edited by Edith Sichel, Constable, pp. 1 - 44; various pages.
33
Coleridge, Mary Elizabeth. Gathered Leaves from the Prose of Mary E. Coleridge. Editor Sichel, Edith, Constable.
245, 252-56

Timeline

1783: John Flaxman and the Rev. A. S. Mathew paid...

Writing climate item

1783

John Flaxman and the Rev. A. S. Mathew paid for the printing (not publication) of William Blake 's first book, Poetical Sketches.

1789: William Blake published the first of his...

Writing climate item

1789

William Blake published the first of his engraved books of lyrics, Songs of Innocence.

May 1809: William Blake's exhibition of his own work...

Building item

May 1809

William Blake 's exhibition of his own work opened at 28 Broad Street (his brother James's house); though scheduled to close in September, it ran until 2 June 1810.

1826-7: William Blake published his last work as...

Writing climate item

1826-7

William Blake published his last work as an engraver: illustrations to Dante 's Divine Comedy.

By 4 January 1868: William Blake: A Critical Essay by Algernon...

Writing climate item

By 4 January 1868

William Blake : A Critical Essay by Algernon Charles Swinburne appeared.

After 6 February 1918: Sir Hubert Parry wrote his musical setting...

Building item

After 6 February 1918

Sir Hubert Parry wrote his musical setting for William Blake 's Jerusalem to celebrate women's victory in the suffrage struggle: this fact is not (unlike the music, which is now as famous as the poem)...

Texts

Blake, William. “Introduction”. Jerusalem, Selected Poems, and Prose, edited by Hazard Adams, Holt, Rinehart and Winston, 1970, p. v - xix.
Blake, William. The Poetical Works of William Blake. Editor Sampson, John, Oxford University Press, 1914.