Sandra M. Gilbert

She appeared with six other poets in Portfolio no. 3 from London's Steam Press in 1979 (an actual portfolio of separate leaves, published in fifty signed and numbered copies, in a black cover with illustrations...

Most major shifts in second-wave feminist literary criticism have been marked by influential rereadings of Jane Eyre: Ellen Moers (1976) and Elaine Showalter (1977) in the assertion of a female literary tradition; the Marxist-Feminist Literature Collective

Feminist literary critic Sandra M. Gilbert responded to both Emilies in one of her poetic collections: Emily's Bread (1984), and Anne Carson to EB , her favourite author and main fear, which I mean to...

Critics were divided about the success of the poem, as was perhaps to be expected given EBB 's passionate embrace of Italian nationalism and her criticism of British foreign policy. The Guardian called it an...

This novel (whose working title was Mistress Mary) was written entirely in the USA. FHB had finished or nearly finished it by April this year, but since she was near her family while writing...

The book is divided into three parts: The Guilty One, written by Clément, Sorties, written by Cixous, and Exchange, a collaboration between both authors. Sandra Gilbert describes Sorties as an apocalyptic vision...

The poem is extensively discussed by Sandra M. Gilbert and Susan Gubar in The Madwoman in the Attic (1979) as a study in self-alienation. They argue that although the speaker remains a voiceless prisoner of...

Because of the extent to which ED 's concentrated and elusive verse, as well as her dissent from religious and social orthodoxies, seem to presage modernism, she has been considered the sole serious writer among...

As one of the few canonized women writers of the nineteenth century, she has been of great interest to feminist critics, in part because in the words of Elizabeth Langland , they became cathected to...

SSE was viewed with ambivalence by a later generation of critics who sought to reclaim women's literature. Sandra Gilbert and Susan Gubar , for example, read Ellis as a willing captive in a separate sphere...

Canonization of The Yellow Wall-Paper began in the early 1970s, within the context of second-wave feminism, and the edition issued by the Feminist Press in 1973. Feminist readings became the first to make the connection...

The title alludes to the key study by Sandra M. Gilbert , The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, 1979. The introduction pays tribute to the women Greer...

First translated into English in Signs in autumn 1981, it was assigned to the final position (in Alice Jardine 's and Harry Blake 's version) in The Feminist Reader: Essays in Gender and the Politics...

Their project has been taken up again in the later twentieth century by such critics as Sandra M. Gilbert (in Patriarchal Poetry and Women Readers, Publications of the Modern Language Association of America 93...

During her lifetime RP was deeply appreciated by some readers. C. S. Lewis scatters through his letters such remarks as Whenever I re-read your poems, I blame myself for not re-reading them oftener.Arthur Russell