Howard, Elizabeth Jane. Slipstream. Macmillan.
429
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth Jane Howard | She finished this novel while living in the house of her friend Ursula Vaughan Williams
(its dedicatee) after leaving Kingsley Amis
. Howard, Elizabeth Jane. Slipstream. Macmillan. 429 |
Textual Production | Josephine Tey | JT
wrote several plays under the name Gordon Daviot. Her first, Richard of Bordeaux, was by far her greatest critical success. Its immediate successors had much shorter runs, and most of her later... |
Textual Production | Josephine Tey | The West End production was a major success for everyone involved. The first two nights were slow, but the first matinee saw an unexpected rush on seats, and the show became a smash hit.... |
Textual Production | Molly Keane | |
Textual Production | Josephine Tey | This play was considerably less successful than Richard of Bordeaux, and ran for only a few weeks. Weintraub, Stanley, editor. Dictionary of Literary Biography 10. Gale Research. 10: 141 |
Textual Production | Josephine Tey | The other volumes of the set appeared in 1954. Her plays were a special focus of her concern for posthumous publication: her will instructed her agent to pay for their printing out of her estate... |
Textual Production | Edith Craig | EC
's articles on theatre include Producing a Play in Munsey's Magazine (June 1907) and Notes on the Costumes in The Kensington (undated). Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 233 |
Textual Production | T. S. Eliot | It was an inauspicious time for an opening, because of gathering war-clouds. Anne Ridler
later wrote, it was a great pity that Eliot had refused to offer the part [of Harry, the pivotal character] to... |
Textual Production | Josephine Tey | Peter Davies
posthumously published the first of a three-volume collection of Plays by Gordon Daviot (also known as JT
), with a foreword by Sir John Gielgud
(though without any overview of Daviot's career to... |
Textual Features | Pam Gems | The play opens in Hollywood, with Mrs Patrick Campbell
regaling a new, American generation with her memories. It centres on her relationship with George Bernard Shaw
, but her life and career are also... |
Publishing | Josephine Tey | The play grew out of an argument with Gwen Ffrangcon-Davies
(Daviot's friend since they met on the set of Richard of Bordeaux) about Mary Stuart
's character. (At that time Daviot sided with Elizabeth of England |
Publishing | Josephine Tey | Daviot wrote this play in 1936, and sent the script to John Gielgud
, who liked [it] very much except for the last act, but this she was not willing to change. Gielgud, Sir John, and Josephine Tey. “Foreword”. Plays by Gordon Daviot, Peter Davies, p. ix - xii. ix |
Performance of text | Molly Keane | She used the pseudonym M. J. Farrell when the play was published by Collins
the same year. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Performance of text | Margaret Kennedy | Kennedy co-wrote this play with producer Basil Dean
. Opening night in London was a smashing success and a production in New York followed shortly afterwards, to similar acclaim. Powell, Violet. The Constant Novelist. W. Heinemann. 81 |
Performance of text | Enid Bagnold | Following its success on Broadway, EB
's play The Chalk Garden, began its impressive twenty-three-month run at the Theatre Royal, Haymarket
, directed by John Gielgud
and starring Peggy Ashcroft
and Edith Evans
. Billington, Michael. Peggy Ashcroft, 1907-1991. Mandarin. 160-2 Sebba, Anne. Enid Bagnold: The Authorized Biography. Weidenfeld and Nicolson. 192 |