Siegel, Ruth. Rosamond Lehmann: A Thirties Writer. Peter Lang.
81
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Travel | Rosamond Lehmann | RL
and Wogan Philipps
toured France with Lytton Strachey
and George Rylands
. Siegel, Ruth. Rosamond Lehmann: A Thirties Writer. Peter Lang. 81 |
Travel | Dorothy Bussy | Dorothy Strachey (later DB
) and her brother Lytton Strachey
left England for an extended trip to Gibraltar and Egypt. Holroyd, Michael. Lytton Strachey: A Biography. Penguin. 73-8 |
Travel | Dorothy Bussy | |
Travel | Gertrude Stein | GS
, Alice Toklas
, Lytton Strachey
, and Bertrand Russell
were guests at Alfred North Whitehead
's home in Sarsen Land, Lockridge, when news of the German invasion of Belgium induced them to prolong their stay. Hobhouse, Janet. Everybody Who was Anybody: A Biography of Gertrude Stein. Doubleday. 84-5 Brinnin, John Malcolm, and John Ashbery. The Third Rose: Gertrude Stein and her World. Addison-Wesley. 212, 215 |
Theme or Topic Treated in Text | Mary Butts | In this essay Butts has some praise for Old Bloomsbury, particularly Lytton Strachey
, Butts, Mary. “Bloomsbury”. Modernism/Modernity, edited by Camilla Bagg et al., Vol. 5 , No. 2, pp. 32-45. 34 |
Theme or Topic Treated in Text | Virginia Woolf | Character in Fiction, the further essay which emerged from Mr. Bennett and Mrs. Brown, is reflective, philosophical, fictional, its tone assertive, witty, ironical, and serious. It ranges Woolf, Virginia. The Essays of Virginia Woolf. Editors McNeillie, Andrew and Stuart Nelson Clarke, Hogarth Press. 3: 421 |
Textual Production | Dora Carrington | At Ham Spray in 1928, DC
depicted Adam and Eve in a mosaic around Lytton Strachey
's bedroom fireplace; this image was later replaced with Boris Anrep
's painted hermaphrodite (which according to critic Jane Hill |
Textual Production | Dora Carrington | |
Textual Production | Dora Carrington | Carrington's diaries incorporate lived moments restructured as short stories, some titled (A Short Love Affaire or The Danish Grave and The Reverse of the Medal, for instance); poetry (On a Picture of... |
Textual Production | Amabel Williams-Ellis | This pageant-like text may have been inspired by or adapted from The Masque of Empire written by Amy Strachey and performed by the village children (including Amabel as Britannia) at Newlands Corner in March 1908... |
Textual Production | Dora Carrington | Carrington
painted Tidmarsh Mill, inspired by the house she had recently moved into with author Lytton Strachey
; critic Mary Ann Caws
calls the work Carrington's unchallenged masterpiece. Caws, Mary Ann. Women of Bloomsbury: Virginia, Vanessa, and Carrington. Routledge. 149 Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press. 56 |
Textual Production | Dora Carrington | Beginning in 1918, Carrington and Lytton Strachey
composed poems for each other on their respective birthdays. Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray. 129, 156 |
Textual Production | Mary Agnes Hamilton | |
Textual Features | Virginia Woolf | Hermione Lee sees VW
's first novel as about the death of childhood and the confused awakening of adult sexuality. Lee, Hermione. Virginia Woolf. Chatto and Windus. 154 |
Residence | Dora Carrington | DC
and Lytton Strachey
moved in together at Tidmarsh Mill near Pangbourne in Berkshire; it was leased for them by friends who were then free to visit on weekends. Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray. 127 Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press. 138 |