Ogilvy, Eliza. Poems of Ten Years. Thomas Bosworth.
301
Connections Sort ascending | Author name | Excerpt |
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Travel | Ethel Wilson | The Wilsons travelled again to Europe in the summer of 1938. Upon arriving in London on 5 July 1938 EW
was particularly excited to see her half-aunts the Bryant sisters again. By this time it... |
Theme or Topic Treated in Text | Mary Cowden Clarke | MCC
wrote a preface for this book, which includes accounts of Keats
, Charles
and Mary Lamb
, Douglas Jerrold
, and Dickens
. |
Theme or Topic Treated in Text | Mary Augusta Ward | Perhaps the most interesting is her review (March 1884) of Harry Buxton Forman
's recent edition of Keats
. Ward argues that the letters to Fanny Brawne
ought not to have been made public. (She... |
Theme or Topic Treated in Text | Eliza Ogilvy | The End of 1854 exemplifies EO
's political awareness ('Twas a soldier year / We are burying here), Ogilvy, Eliza. Poems of Ten Years. Thomas Bosworth. 301 |
Textual Production | Barbara Pym | BP
published the last novel of her lifetime, The Sweet Dove Died. The title implies, in a manner both sentimental and canonical, death in captivity. (In this it hearkens back to the title of... |
Textual Production | Eleanor Farjeon | The title (shamelessly re-used by verse anthologists working after EF
) is a quotation from Keats
's Ode to a Nightingale, where the magic windows open on the foam / Of perilous seas, in... |
Textual Production | Helen Waddell | HW
provided an introduction for William Forbes Marshall
's Ballads and Verses from Tyrone, published by the Talbot Press
of Dublin in 1929, and an Appreciation for George Saintsbury
's Shakespeare, 1934. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Alice Meynell | AM
wrote introductions or prefaces to over twenty books. For Blackie
's Red Letter Library series alone she introduced Elizabeth Barrett Browning
's letters and poems (1896 and 1903), and works by Robert Browning
(1903),... |
Textual Production | Margaret Drabble | Again the title names an imaginary place: it is the phrase which Keats
applies to the territory of poetry in Upon First Looking into Chapman's Homer. It also suggests the heroine's work as an... |
Textual Production | Mary Augusta Ward | MAW
planned her next novel as a much weightier study of the intellectual impact of historical thought on conventional faith; it was deeply influenced by the intellectual milieu of Oxford and the histories of her... |
Textual Production | Anna Mary Howitt | She chose epigraphs to chapter one from Keats
and James Shirley
, to chapters three and fourteen from Mary Howitt
, and elsewhere from Elizabeth Barrett Browning
, Percy Bysshe Shelley
, and writers in French, German, and Italian. |
Textual Production | Sheila Kaye-Smith | SKS
published in New YorkThe Happy Tree, a novel which appeared next year in London as The Treasures of the Snow. The original title refers to the tree in Keats
's Stanzas... |
Textual Production | Winifred Peck | WP
published a novel, Veiled Destinies, titled from a phrase in Shelley
's Adonais (his lament for the death of Keats
). Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 2410 (10 April 1948): 201 |
Textual Production | Freya Stark | The title echoes a phrase from Keats
's sonnet On First Looking Into Chapman's Homer. |
Textual Features | Mary Stewart | These are highly literary poems. In her preface MS
invokes Keats
. She writes on mythological topics, both Biblical (Eve, Cain, Mary) and classical (Icarus, Persephone). She titles poems with an eye to her predecessors... |