Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Barbara Hofland | |
Textual Production | Christian Isobel Johnstone | This time she published as the author of Clan-Albin. Her title-page quotes a remark by Cervantes
' Sancho Panza about story-telling. This was the last novel that she published in volume form. |
Textual Production | Elizabeth Jolley | |
Textual Production | Dora Carrington | Carrington
provided five illustrations for a school edition of Don Quixote by Cervantes
, published by the Oxford University Press
. Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press. 45 |
Textual Production | Margaret Oliphant | MO
's Cervantes, also written for her edited series of Blackwood
's Foreign Classics for English Readers, appeared. Biographer Elisabeth Jay agrees with this date, Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press. 342 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Amelia B. Edwards | ABE
's earliest publications included A Summary of English History, From the Roman Conquest to the Present Time, 1856, and The History of France, from the Conquest of Gaul to the Peace of 1856... |
Textual Production | George Eliot | Many early extant letters of GE
's date from her unhappy, adolescent, Evangelical period, and have a tone of self-righteousness and censoriousness of others and of herself which is not pleasant to modern readers. In... |
Textual Production | Susanna Haswell Rowson | This theatre was new, modelled on English theatres but with the American eagle prominent over the proscenium arch. Rowson herself played the female lead, Olivia, and spoke an epilogue in her own person, saying she... |
Textual Production | Augusta Gregory | Knowing she had not long to live, AG
published Three Last Plays, a volume which included The Would-Be Gentleman (adapted from Molière
), Sancho's Master (from Don Quixote by Cervantes
), and her last play, Dave. Stevenson, Mary Lou Kohfeldt. Lady Gregory: The Woman Behind the Irish Renaissance. Atheneum. 285 Mikhail, Edward Halim. Lady Gregory: An Annotated Bibliography of Criticism. Whitston. 29 |
Textual Features | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Textual Features | Sara Coleridge | SC
argues the merits of appreciating people, women in particular, for their moral worth and not for their physical beauty. She writes that by fostering our attention too exclusively on what is external, we overlook... |
Textual Features | Frances Arabella Rowden | An advertisement (dated at Iver in Buckinghamshire on 3 September 1820) Rowden, Frances Arabella. A Biographical Sketch of the Most Distinguished Writers of Ancient and Modern Times. 1829, iv |
Occupation | Gustave Doré | |
Literary responses | Charlotte Lennox | In Fielding's detailed comparison of the novel with Don Quixote, Lennox emerges superior to Cervantes
in morality, probability, and character-drawing, though Cervantes is superior in other ways. This enthusiastic review was widely reprinted. Catto, Susan J. Modest Ambition: The Influence of Henry Fielding, Samuel Richardson, and the Ideal of Female Diffidence on Sarah Fielding, Charlotte Lennox, and Frances Brooke. University of Oxford. 176 |
Intertextuality and Influence | Aphra Behn | The opening scene introduces two unmarried lovers who have obviously only just got out of bed. Characters refer with off-hand frankness to sex between men and boys. The subplot comes from Cervantes
. Todd, Janet. The Secret Life of Aphra Behn. Rutgers University Press. 149ff |
No bibliographical results available.